A Quote by Dan Bilzerian

A lot of my audience is aspirational as far as getting girls. — © Dan Bilzerian
A lot of my audience is aspirational as far as getting girls.
Around 2009, my audience started getting a lot more mainstream - younger people, R&B and hip-hop fans mixed in with the jazz audience.
I do feel that the boys are getting left out. Girls will read boys' books, but boys won't read girls' books. If you're writing for a girl, you've got most of the audience on your side anyway.
There's a lot of things I can get better at as far as my footwork, being quicker, getting in and out of the hole, getting north and south.
Early on, girls begin to menstruate, which is dramatic but not obvious to their playmates. They grow taller and rounder, but underneath their makeup they are still recognizably themselves. For boys it is far more disorienting. Puberty comes later, sometimes much later, and its delay is humiliating. While the tall round girls are getting themselves up like grown women, the prepubertal boys, with their featureless, hairless bodies, are just dirty little kids who could pass for the children of the hypermature girls.
Now, I think you'll find a lot of rappers and artists are getting girl managers. It just makes sense. The guys in my team have learnt a lot from bringing girls in.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
At any given time, there might be someone who's eight years old or 80 years old in the audience. Some nights there are a lot of girls in the audience, some nights not. It's so unpredictable, but I like that.
My whole life as a grammar-school boy, getting to Cambridge University and working on the 'London Sunday Times' has been very aspirational.
There's a lot to do when you're a kid - spiders to catch, girls to poke in the eye - stuff to be getting on with.
Girls' is a huge show, as far as buzz, and magazine covers, and getting a ton of copy, and awards. And yet I don't think the viewership is huge.
'Girls' is a huge show, as far as buzz, and magazine covers, and getting a ton of copy, and awards. And yet I don't think the viewership is huge.
I know a lot of girls in the comedy world who are kind of like me. I don't know where the slutty girls hang out, but it's not the comedy world as far as I know.
I love performing on stage the most. It's getting that instant reaction from a live audience. There are no boundaries, you can take your character as far as you want to, you can be the craziest person ever.
I'm getting really fed up with the way that girls and women get portrayed a lot of the time.
I did a 'Golden Girls' once, which shot in front of an audience, and that went well. I had a good time. But I need an audience, for comedy at least.
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