A Quote by Dan Bilzerian
I never wanted something from somebody without being able to kind of reciprocate, I guess.
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I was actually picked on as a kid. I guess in high school it started to change for me. I guess being picked on made a lasting impression on me so I never - whenever somebody calls me handsome or anything like that, I never take it for granted. I appreciate it every time I hear it, so it's never something that gets old.
I never could stand being forced to do something I didn't want to do at a time I didn't want to do it. Whenever I was able to do something I liked to do, though, when I wanted to do it, and the way I wanted to do it, I'd give it everything I had.
It's bad enough in life to do without something YOU want; but confound it, what gets my goat is not being able to give somebody something you want THEM to have.
I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
Being able to do something that's never been done before, that's what I've always wanted to do. . . . There was nothing that was going to stand in my way of being the first.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
We may have an excellent ear for music, without being able to perform in any kind; we may judge well of poetry, without being poets, or possessing the least of a poetic vein; but we can have no tolerable notion of goodness without being tolerably good.
Often autism is portrayed in the media as a very negative condition, as something that prevents somebody from communicating or from socializing or from being able to have any kind of normal, happy life.
I've never had anything. I just wanted to one day live comfortable. Like, be able to go out to lunch with my friends without being like, crap, I don't know if I can afford this bill right now. I shouldn't be doing this. That's all I really wanted.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
I feel like you're being coy if you don't do something and celebrate the 20th or 25th anniversary in some way. Just as I've never, ever had any kind of embargo on playing songs from Endtroducing, no matter how much I wanted people to like my new stuff - I've never, ever stopped playing Endtroducing, for that reason as well. It's a give and take - it's a balance. If there's one theme, I guess, to this entire discussion, then it's that.
Being able to travel the world is pretty cool. There are places that I've always wanted to go to but being able to go there as somebody who's a musician and is recognised as one is cool.
I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.
I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
I never grew up a runner. I never thought of myself as somebody that was fit or somebody that could advocate for that and then the more people kind of have caught onto it, it's inspired me to keep going, the more I keep doing it. And it's just kind of become something that I really like and I think it's relatable in the sense of I'm not an athlete.
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