A Quote by Dan Bilzerian

Sometimes I feel like a 16-year-old who's got a blank check. — © Dan Bilzerian
Sometimes I feel like a 16-year-old who's got a blank check.
I think sometimes when you can feel the velocity of change, like nowadays, you really need a seat belt. It's almost like having a growth spurt that you can feel, like a 16-year-old who woke up one day and grew four inches literally overnight. That can be a painful thing sometimes.
At 16, I got housing benefit, and I had my own flat in an old woman's house. I was the only 16-year-old I knew living alone.
It's true. somewhere inside us we are all the ages we have ever been. We're the 3 year old who got bit by the dog. We're the 6 year old our mother lost track of at the mall. We're the 10 year old who get tickled till we wet our pants. We're the 13 year old shy kid with zits. We're the 16 year old no one asked to the prom, and so on. We walk around in the bodies of adults until someone presses the right button and summons up one of those kids.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
We've got a younger fan base - and their parents. One day when we were at Abbey Road, an entire family was outside waiting for us - like, a nine-year-old, a 16-year-old, and their mother. They can agree on liking us for whatever reason. It's kind of strange.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
I feel like a 16-year-old trapped inside a dead woman's body.
I'm one of 3; I have a 16-year-old sister and an 11-year-old brother. We're all very close. We're an interesting family, and we moved a lot when I was younger. I feel like we are very tight knit because we had to sort of jump and leave places and start over again and again.
I signed with a club when I was 12. I started living by myself at 14. I turned pro at 16. I grew up playing nothing but point guard, and suddenly, I was a 16-year-old small forward matched up against 35-year-old men.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
I've been playing rock and roll since I was 16 years old, and now I have a 16-year-old.
I make films for the 16-year-old in myself sometimes.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
I don't mind having 16-year-old fans, but I hate just having 16-year-old fans. I want more diversity.
I've been a teenager. I even feel like I've been a 16-year-old girl. So I have a lot of voices inside my head!
There have been times where I have been playing a 16-year-old, and people have been like, 'She still looks 12.' I'm like, 'I'm 22. What do you mean I don't look 16?' So I'm comfortable just rocking my young body.
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