A Quote by Dan Castellaneta

The Simpsons can go anywhere in the world and not worry about any budgetary issues. However, even when the show has had its run, I think the characters can go on in perpetuity.
I think the weather here is a big attraction for anyone. But also, there are more creative people per square mile in L.A. than anywhere in the world. They make 'The Simpsons' here. Anywhere they make 'The Simpsons' is a good place to be.
I identify myself as an actor, because I feel like you don't go to the doctress, you go to the doctor; it doesn't matter what the gender is. I think actresses worry about eyelashes and cellulite, and women who are actors worry about the characters we are playing. A separate category is another way of making us a special-interest group.
When I really worry about something, I don’t just fool around. I even have to go to the bathroom when I worry about something. Only, I don’t go. I’m too worried to go. I don’t want to interrupt my worrying to go.
With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
I had to get in touch with the source, I had to go back into my abandonment issues with my mother, I had to go into issues with my father I hadn't even looked at before.
The cancer I had is called clear cell carcinoma, and it can show up anywhere at any time. There's always that little fear in the back of my head, it could show up in my colon, my stomach, my brain. I do worry about that.
Anywhere I go, anywhere I fight it doesn't matter who's watching or whatever, it's me fighting and there's one guy in the cage you know, that I have to worry about and that's it.
I've always liked shows that have a strong cast of secondary characters. One of the greatest examples ever I would say is 'The Simpsons.' If you think about it, you could name 100 characters recognizable from that show. I think 'Scrubs' has done a good job of having a strong team coming off the bench.
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.
Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
We want to show the world that even if you go through some bad periods, you always have to think positive just to go forward.
I would never predict a run like that. Last season, that's beyond reality. I think we can go 25-14. I think we can play 10 games over .500, even more than (that) over .500, and that would be a great run. Any time you go 30-15 or something like that, that's pretty incredible basketball.
I usually get so warned when I go to Detroit, like, 'Oh my God, don't go to this section, don't go to that section.' I've never had any issues in Detroit. I love that there's enough of a racial mix of people to make fun of. I've always had a good time there.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
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