A Quote by Dan Chaon
I never could figure out how those people like Bukowski could be both carousers and writers at the same time, because to me writing takes as much destructive energy as it takes to be a really good professional drunk.
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Writing is like wrestling; you are wrestling with ideas and with the story. There is a lot of energy required. At the same time, it is exciting. So it is both difficult and easy. What you must accept is that your life is not going to be the same while you are writing. I have said in the kind of exaggerated manner of writers and prophets that writing, for me, is like receiving a term of imprisonment-you know that's what you're in for, for whatever time it takes.
You could stand here sick with ten illnesses today, and tomorrow have no evidence of any of them. Your body has the ability to replenish itself that fast. But most of you do not have the ability to change your thoughts that fast. So the amount of time that it takes between sickness and wellness is only the amount of time that it takes for me to figure out how to let it in - for me to figure out how to feel good, when I'm looking at something that makes me feel bad.
I had a year of panic attacks. I was feeling really pressured, like I could never do it again. With a first novel, you put things on hold because it takes so much mental energy and self-belief to keep on writing.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
When people ask us how long does it take for something to manifest, we say, It takes as long as it takes you to release the RESISTANCE. Could be 30 years, could be 40 years, could be 50 years, could be a week. Could be tomorrow afternoon.
[With quantum computers] you can calculate how many bits are in the universe, how much energy it takes to flip them, how much energy exists, and use that to rule out lots of things about the universe's history. Anything that takes more bit flips couldn't have happened.
Sometimes when you write something, you have that day when you start writing and you feel really good, and you start changing it. At the end, it lost the essence. It lost the first idea, the energy that it had, it's going down after every change. And at the end it's something soft and too much rewritten or too much rebuilt that doesn't have the same energy as the beginning. So, I like the first takes because of that, you know. It has that first energy that sometimes it's difficult to recreate.
I like to remind teachers that even though they're all overwhelmed and overloaded, and it's easy to get burned out, it really is about the kids. It only takes one good teacher to change a life - one time, and one book. That's what happened when I was a kid. I had one good teacher that came in at the right time and turned me into a writer. So never lose sight - you could be that teacher.
All good writers inspire me as I have never thought I was any good. As far as a writer who made me think I could do it, it was Henry Miller. Not because I thought he was so simple that I reckoned I could pull it off as well, but it was his freedom and guts that really moved me to want to write all the time.
I used to lay drunk in alleys and I probably will again.Bukowski, who is he? I read about Bukowski and it doesn't seem like anything to do with me.
I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
I'm one of those writers who tends to be really good at making outlines and sticking to them. I'm very good at doing that, but I don't like it. It sort of takes a lot of the fun out.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Writing takes gall. I like to think that's true even for writers with several books under their belt, writers who have been doing it for years. It takes something - guts, gumption, self-delusion - to ask for a reader's time when we all know there's nothing new under the sun; that it's all been said, or written, before.
Writing songs helped me figure out how to communicate with other people. I finally figured out that if I could express something in a song, I could probably express it in my real life, too.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.
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