A Quote by Dan Chaon
Our sense of self is a kind of construct. It is in some ways like a novel, and it's like a fabric of fictions that we patch together from memory.
Related Quotes
Our friendship was like our writing in some ways. It was the only thing that was interesting about our otherwise dull lives. We were better off when we were together. Together we were a small society of ambition and high ideals. We were tender and patient and kind. We were not like the world at all.
The narrative that each person tells herself and others is a big part of how we construct our self-identities. It's one of the most important ways that we make sense of our past and present and understand our hopes for the future.
Unlike a novel, where you expect a different kind of arc that leaves us with a somber sense of resolution, I think a story in some ways as like a train window: being able to watch the landscape pass for a certain amount of time. And then your stop arrives, and you have to leave.
I do like the idea of the novel of repressed college students being a contemporary novel of courtship! I guess what I would say to that is, we tend to think of historical periods and historical mores as ending a lot more concretely than they do. Like, in an Austen novel, there are lots of reasons - cultural, moral, religious - why the characters don't have sex during courtship. Maybe, even though those reasons have kind of expired, historically, they're still around in some sense.
My sermon for us Americans would be to construct the kind of institutions of mutuality and social cooperation that don't leave 15 or 20 percent of our people falling through the cracks. We can do it. It's not like we don't know what to do. It's not like there aren't models there. It's not like this isn't being done elsewhere. It's not like we can't afford to do it. It's a question of political will and it's about our definition as a people.
The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story.
To what extent do we self-construct, do we self-invent? How do we self-identify, and how mutable is that identity? Like, what if one could be anyone at any time? Well, my characters, like the ones in my shows, allow me to play with the spaces between those questions.
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
If you can read the world as a construct, you can ask questions of the construct, and you can suggest ways to change the construct.
In the new alchemy, we have a similar kind of way of thinking. Our internal space includes our intuitions, our thoughts, our senses and our feelings, and from these we construct or build a picture of the outside world. From intuition and thought, we construct time. We also construct space from thought and our sensations. From our senses and our feelings, we experience energy, and from our intuitions and our feelings, we experience motion.
Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.
A novel is what you dream in your night sleep. A novel is
not waking thoughts although it is written and thought
with waking thoughts. But really a novel goes as
dreams go in sleeping at night and some dreams are like
anything and some dreams are like something and some
dreams change and some dreams are quiet and some dreams
are not. And some dreams are just what any one would
do only a little different always just a little
different and that is what a novel is.
People need immediate places to refresh, reinvent themselves. Our surroundings built and natural alike, have an immediate and a continuing effect on the way we feel and act, and on our health and intelligence. These places have an impact on our sense of self, our sense of safety, the kind of work we get done, the ways we interact with other people, even our ability to function as citizens in a democracy. In short, the places where we spend our time affect the people we are and can become.
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.
We Americans think we enjoy self-government. We have all the trappings of self-government, like elections. But in reality, we have gradually lost many of our rights to govern ourselves. We have the form of self-government, but only some of the substance. We are, in a sense, a nation run by a handful of judges who often enforce, not the law, but their personal opinions.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer