A Quote by Dan Chaon
Fiction is a particular kind of rhetoric, a way of thinking that I think can be useful in your life. It asks you to image the world through someone else's eyes, and it allows you to try to empathize with situations that you haven't actually experienced.
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I was thinking one of the great things about fiction is we, as a race, only get to look out of our own eyes at the world. And fiction is a fantastic way of looking out through somebody else's eyes.
When I'm writing fiction, I'm sort of interested by the fact that somehow or other I can have the feeling of actually seeing things through someone else's eyes.
There are moments in your life when you see yourself through someone else’s eyes, when your only hope of believing you’re capable of doing something is because someone else believes it for you.
I think that when you have somebody who really is kind of forced to see the world through someone else's eyes, I think it really is eye opening.
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
And it took to "The Devil Wears Prada" to play someone tough, who had to make hard decisions, who was running an organization, and sometimes that takes making tough decisions for a certain kind of man to empathize. That's the word - empathize. Feel the story through her. And that's the first time anybody has ever said that they felt that way.
Acting is kind of an escape. You get to live life as someone else, and when you're living this life as someone else, you don't really have time to think about your own life.
You're already using your imagination because you're watching fiction and then you're trying to believe that this girl who weighs 100 lbs, soaking wet, could actually beat up a guy. Which works in a lot of situations but in a lot of situations you look at it and you're like, "Come on. Could you please get someone in there who actually has biceps and not just because they don't eat?"
If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble.
I think that we Americans, in particular, tend to think too directly about problems. If there's a problem we want to basically go in with a screwdriver or else drop bombs on it. A better way to solve problems is to think indirectly and try to change the environment. So I think you can gain much better self-control not so much by working on yourself as by looking at the situations you're in and the people you hang around, and changing your environment.
One of the main reasons I write fiction is to try to understand what life is like for people other than myself, to try to see the world through my characters' eyes. I often find that I'm able to understand certain emotional truths about my own life by exploring things from different vantages.
I think no one but me has the right to write about my life as I want to write it in a particular way. I don't think any other person will be able to tell the story of my life like how I have approached it. It works best when it's written by someone who has experienced it herself.
Good fiction creates empathy. A novel takes you somewhere and asks you to look through the eyes of another person, to live another life.
I'm not suggesting that I have all the answers or that I have experienced everything someone else has. I'm a firm believer that everyone's life/spiritual journey is unique and personal, and I'm in no place to tell you what you have or have not experienced. However, I CAN tell you what I have experienced and learned, and I hope it is of use to someone out there.
Try to overcome your doubt. Believe you are beautiful. Look at yourself through someone else's green eyes. Believe someone out there will find you and kiss your skin until you can feel it blister with the heat. Believe in something bigger than your problems and you will be saved.
Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.
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