A Quote by Dan Chiasson

It's often said that elephants are the most human of animals - there's something comical about their acquiescence, and tragic also. The long elephant poem - I was trying to write from the point of view of someone who had been seduced by the logic of his punishers and who, in a kind of awful way, could reproduce the very logic that had put him in this predicament in the first place. And maybe, in some kind of minor way, that's something I feel about myself, or maybe about all selves, that they fall in love with the thing that oppresses them.
You have to be kind of alerted to the fact that clowns are scary and then you can't look at them the same way again. There's something very sinister about them... There's something very tragic about them as well. The last thing they are is funny.
Katie Grand often comes in from a very different angle than what I've been thinking about. And that really gives it that extra something, because designers can often get stuck in their own view of how the collection can look. I always love the way that she turns it into something else and I kind of let go at that point.
I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
Maybe she should cut the guy a little slack, [...] Maybe Thorne had been a no-show because something bad happened to him on the job. What if he'd been injured in the line of duty and didn't come by as promised because he was incapacitated in some way? Maybe he hadn't called to apologize or to explain his absence because he physically couldn't. Right. And maybe she had checked her brain into her panties from the second she first laid eyes on the man.
It wasn't that I hated being asked a bunch of questions. I had nothing against questions. I just didn't like listening to them, because some questions take forever to make sense. Sometimes waiting for a question to finish is like watching someone draw an elephant starting with the tail first. As soon as you see the tail your mind wanders all over the place and you think of a million other animals that also have tails until you don't care about the elephant because it's only one thing when you've been thinking about a million others.
Maybe I'd never see him again... maybe he'd gone for good... swallowed up, body and soul, in the kind of stories you hear about... Ah, it's an awful thing... and being young doesn't help any... when you notice for the first time... the way you lose people as you go along ... the buddies you'll never see again... never again... when you notice that they've disappeared like dreams... that it's all over... finished... that you too will get lost someday... a long way off but inevitably... in the awful torrent of things and people... of the days and shapes... that pass... that never stop.
I'm possibly a very morbid person but I think about death a lot. I don't know if it's maybe from being on films that's often playing Harry [Potter] or I just think it's a natural thing that I have. It's something that I think about just because it's fascinating in a very alien kind of way.
I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.
I think Dexter is a man who ... a part of himself is very much frozen, or arrested in a place that is pre-memory, pre-conscious, pre-verbal. Something very traumatic happened to him, he doesn't know what that is. And I think on some level he wants to know. He denies his humanity, he describes himself as someone who is without feeling, and yet I think that he maybe suspects - in a way that maybe isn't even conscious yet when we first meet him - that he is in fact a human being.
The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.
Let me say this. [Donald] Trump is the only person that has control over what Trump does. Maybe his supporters support him but they don't support every single thing about him. Maybe they are misguided about what it means to be friends with Russia. Maybe they come to my show and they never thought about sexism in the way that I talk about it in a joke.
I had not been involved in any way in planning the event in Mobile. My staff maybe, had really been contacted, but I had never talked to Donald Trump about him coming to Mobile, and I decided - I had something else to do but it became so clear that it was going to be such a big event that I should be there. And he had already adopted my immigration views, in large part, and he was saying things I thought were valuable, about immigration.
Mark Zuckerberg has never really had pressure put on him. He's an engineer, and he's created this perfect system that is Facebook, and he's always been concerned about the internal beauty and logic of this creation that he's created. I don't think that the human implications of what he's created have often been apparent to him.
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