A Quote by Dan Colen
As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination.
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People ask me why I don't paint oils. It takes too long. Cleaning brushes in linseed oil, and it takes six months to really dry, and all this. I don't have that kind of time. I work with acrylic. It's water based. You can clean it under water. If you spill it on yourself, you just throw it in the washing machine.
We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
As an actor, most of the time, you only have so much say in how, what and where things go. As a director, you really get to paint a bigger picture. You have many more brushes to use.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
As a teenager, skincare is about putting no oil on your skin because you don't want any blemishes, and then in your thirties, you're putting as much oil as it can take to avoid wrinkles!
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
I don't paint so that people will understand me, I paint to show what a particular scene looks like.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
Brushes are crucial for applying glazes, sauces, and oils. The pastry brushes that you find in homestores can be pricey so pay a visit to your local hardware store and pick up a few paint brushes which are less expensive and work equally as well.
When I first was putting out music, I was like, 'I don't want to be overly sexy or do too much with the imaging or show too much skin, and I want to make sure my lyrics are balanced.'
The business of peace requires more than showing up with paint brushes, foodstuffs and an oil pipeline or two.
I paint what cannot be photographed, something from the imagination... I photograph the things I don't want to paint, things that are already in existence.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
As soon as I saw myself beginning to be way too comfortable on a film set or TV set, and not stimulated by it the way that I had been that had brought me to want to be there professionally and creatively, was the moment that I started getting really, really sad. I decided, "Okay, I just want to actually be here, how can I make this be interesting for me?"
I am not going to allow myself not to perform well just because I don't feel well. I am bulletproof to the extent that a lot of things can be thrown at me, but it's about how much I am prepared to let them affect me
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