A Quote by Dan Crenshaw
The president is under no obligation to sign the spending bills that Congress gives to him. And once that happens, once he says no, then you're supposed to negotiate.
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President [Ronald] Reagan told me he would negotiate and negotiate and negotiate with the Soviets, and I believed him.
Once the public loses confidence in a president's leadership at a time of war, once they don't trust him anymore, once his credibility is sharply diminished, how does he get it back?
So the president is like, "Well, once upon a time it was Congress's job to decide whether or not we attacked countries, so let's let them decide." Which is funny, because, as we all know, if Congress were on fire, Congress could not pass the "Pour Water on Congress Act".
I will continue to fight for legislation that forces Congress to read the bills! I will fight for a vote on my bill that calls for a waiting period for each page of legislation. I will continue to object when Congress sticks special interest riders on bills in the dead of night! And if Congress refuses to obey its own rules, if Congress refuses to pass a budget, if Congress refuses to read the bills, then I say: Sweep the place clean. Limit their terms and send them home!
In foreign affairs, the president can do what he wants unless Congress says no. In domestic policy, the president can't do anything unless Congress says yes.
While the budget resolution is a nonbinding blueprint, it is, nevertheless, an important guideline for Congress. Once the President's proposed budget is received by Congress on the first Monday of February, Congress generally goes to work on appropriating the funds required.
It was old President Diaz who said that nothing ever happens in Mexico until it happens. Things rock along from day to day, and then all at once you are caught up in a rush of unforeseen events.
As a scholar, you don't want to repeat yourself, ever. You're supposed to say it once, publish it, and then it's published, and you don't say it again. If someone comes and gives a scholarly paper about something they've already published, that's just terrible. As a university president, you have to say the same thing over and over and over.
Congress passes bills that appropriate money. Congress says, 'We're building this bridge or funding that defense project, and they cost this much.'
In Sliding Doors, the whole idea is that every choice you make, and every single thing that happens to you changes the trajectory of your life, and once you are put on that trajectory, there is no way back. But Groundhog Day - which, I tell him, also happens to be a much better movie - says the opposite. It says if you mess up or make the wrong choice, you just have to keep at it until you do it right.
If we had decided on January 5, in the new House of Representatives, to make no new spending bills, the debt ceiling would've still been hit, because, those are bills that are coming in as a result of purchases and commitments made by the administration and the previous Congress.
The Senate has sent President Obama a spending bill that gives the government enough money to keep going for two weeks. Our Congress has the financial planning skills of a college sophomore.
..either immediately or ultimately every dollar of government spending must be raised through a dollar of taxation. Once we look at the matter. In this way, the supposed miracles of government spending will appear in another light.
As McLuhan says, everything happens at once.
Normally what happens in a new presidency is the president has a big agenda, and Congress is full of people with human weaknesses. And so the president indulges the human weaknesses of members of Congress in order to pass his agenda. This time it's the other way around. Donald Trump does not have much of an agenda. Congress burns with this intense Republican agenda and so does Congress that has to put up with the human weaknesses of the president in order to get a signature on the things it desperately wants to pass.
A definite highlight was doing 'The Brothers McMullen.' Shooting that movie was such a joy - and then we wound up winning the Sundance Film Festival. That big-break moment is visceral. It happens once in a decade, maybe once in a lifetime.
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