A Quote by Dan Deacon
Going back to the paradigm we live in, the only way to do music is if I can sustain living off of it. If I can't live off of it, I'm not going to be able to make as much music.
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If we're going to save the planet, people are going to have to live in ways that don't require so much energy and don't create as much waste. The only way to do that is to live more densely than Americans are living right now.
The signing bonus is a ton of money, especially for a 21-year-old. But I'm not going to live off that money. At some point, I'm going to live off a college degree.
Technology has made it much easier to make and manipulate music. Studio-driven, machine-driven music does not always transcend into being a good live act. Many current acts are great live, but many cannot cut it live. The music is not organic.
What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.
I want to be able to show my vocals off and when I do do live performances, I'm going to do some acoustics just with a guitar and a stripped back version.
It's so funny: whenever there's a new technology introduced, there's always this fear it's going to end entertainment as we know it. When records came around, they were going to be the end of live music. Nobody would ever want to go see live music again.
I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.
I think that there's a proliferation of music that is done entirely in the bedroom for an Internet audience, but there's no way in hell that you could actually kill off a live show, and its importance in the creation of music - it's just impossible.
There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer. About five years ago, I got a turntable that hooks up to your computer, and I put the vinyl in there and I listened to it back-to-back with a CD, and it didn't even compare. But people don't have time to go track down vinyl, lower it in, all that. And they probably don't care. It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.
I love watching live music. It's one of the reasons I love living in Austin, Texas, because there is so much live music.
I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have inspired songs.
When people make the educated argument that things should go back, it's more like going back to a feeling they had when they heard some of the music that came out. Not going back to that music being rehashed. That's stupid.
I gotta be me. I'm going to go to ball games, because that's what I do. I'm going to go to live music shows, because I love live music.
I've only really had one period when I lost myself and felt like I was going to lose my career, and that was when I first began presenting 'X-Factor' spin-off 'The Xtra Factor' two years ago. I was worried if I did a rubbish job live on Saturday night TV that my music career was going to get affected and I would lose everything.
My records are not informed by whether the music is going to work live. I just kind of make the music I want to make and worry about how to deconstruct it for a band after.
I wasn't that academic, but I always made sure I was earning money. I never wanted to put all my eggs in one basket. Even when I started doing music, my parents were like, 'You need to work; you can't just live off music.' I always knew that. So I worked until I knew I was going to be financially okay.
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