A Quote by Dan Deacon

When music becomes a job, you all of a sudden have other jobs and you become like a manager of time. If you have no ability to do that, your job gets very hard very quickly.
A white manager loses his job and gets another job, he loses his job, he gets another job. Very few black managers can lose their job and get another job.
The only reason you even start a band is so you can hang out with your friends all the time, but somewhere along the line, it just ends up becoming a job. You were doing it because you were like, 'I never want to have to get a job,' then all of a sudden it becomes the biggest job you could ever imagine.
It's very hard for an artist to negotiate their fees. My job is to act; my manager's job should be to handle the business side of it.
I really like being on set when you've all moved on a job because it makes you bond very quickly. You're all out of your time and comfort zone, so you kind of only have each other.
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
I think the lie we've told people in the marketplace is that a degree gets you a job. A degree doesn't get you a job. What gets you a job is the ability to carry yourself into that room and shake a hand and look someone in the eye and have people skills. These are the things that cause people to become successful.
It's part of my responsibility, as an actor who has been lucky enough to have this job, to take my job very seriously, show up on time, know my lines, and give the best performance that I can because I'm doing something that so many other people work very hard to have and never get.
I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.
I was born with an ability to concentrate very hard on a job for a long time.
I slowly came to realize that this job of being an actor, you spend most of your time looking for work. That is your job. Your job is auditioning. You spend very little of your time actually working.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
When you become a professional, there is all this other stuff you have to do. That part is the job, capital J-O-B. They're very different things, but they're all part of the same career. Once you get onstage and you get to perform, that's your reward for doing your job.
Music becomes very personal. When you marry a message you want to send out into the world with good music, all of a sudden you have a very potent way of delivering your message.
The idea that you've been friends for your whole life and then suddenly the other person becomes your job - it would be so weird. It would be hard not to become massively resentful.
It's very hard to step into a job when people are just dismissing you as a pretty face, and saying you got your job only because your surname is McMahon.
Three things are very important to Hispanics: being able to have a job, making sure your child gets an education that prepares them to get a job, and living in a safe community.
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