A Quote by Dan Deacon
If you've become a huge act and you're still doing the same music you wrote with your friends when you were making zero dollars, you're lazy.
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You gotta have friends, and it's really hard to have friends that don't operate on the same schedule as you or do the same kind of things you do, because they don't understand it. And then you realize that your friends - your real-life friends - it's not that they become fanboys of you but they become more interested in what you're doing than how you're doing.
Maternity has come a really long way from when my mother or my friends' mothers were shopping, but it's still very limited and it's hard. Just because you become pregnant doesn't mean your style changes. You still want to maintain your same aesthetic, but it can be very challenging with what is out there. It's been interesting to kind of learning to dress around it.
We all forget that when a TV network says, 'Look, we're broke,' it means that they're not making as much money as they would like to be making. They're still making millions and millions of dollars - they're just not making billions and billions of dollars.
It's not like suddenly, when you become a working actor all your friends are in the same situation. I have friends who are still handing out flyers for their one-woman show and trying to make ends meet.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
What's at the end of a million dollars? Zero, zero, zero... nothing. A circle with a hole in it.
We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals
We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.
If you invent something, you're doing a creative act. It's like writing a novel or composing music. You put your heart and soul into it, and money. It's years of your life, it's your house remortgaged, huge emotional investment and financial investment.
You are still lucky - you have a certain type of people who keep buying your music - but then you can get typecast and have to keep making that same music, and you can change only slightly. It's risky to bounce around and change your type of music.
You know when you become friends with someone, you don't even remember? When you weren't friends? You're just kinda like, 'When were we not friends? When I met you, weren't we just already friends?' I have the same thing with the Strokes guys.
Gareth [Edwards] was very much about including everyone in what we were making, so he would cut together different scenes to show us what we were making. And the crew, cast, everyone would go into a theater there at Pinewood Studios and watch 10 minutes of what we were making. It was always so exciting. It looked amazing, and the music was huge.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
You have to do all you can as a parent to stop your kid from doing all the craziness that's going on in the world. And although I still have music that's saying one thing, I still let them know what it is, and I'm not doing anything in my music that I wouldn't tell my kids about.
My parents would have their friends over - their friends who thought, 'How can you live without a TV?' By the time they left, they understood why, because I had done the second act of 'West Side Story' and the first act of 'Jesus Christ Superstar,' playing all the parts. In many ways, that's what I'm still doing. I'm just getting paid better.
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