A Quote by Dan Fogelberg

I'm a child of the woods. I have that sort of sensibility. — © Dan Fogelberg
I'm a child of the woods. I have that sort of sensibility.
New York is all about sort of a corporate sensibility, and it is squeezed out room for any other kind of sensibility, money talks, bullshit walks, I guess.
The woods that I loved as a child are entirely gone. The woods that I loved as a young adult are gone. The woods that most recently I walked in are not gone, but they're full of bicycle trails.
In the woods, too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods is perpetual youth. Within these plantations of God a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods we return to reason and faith.
In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth.
Woods are not like other spaces. To begin with, they are cubic. Their trees surround you, loom over you, press in from all sides. Woods choke off views & leave you muddled & without bearings. They make you feel small & confused & vulnerable, like a small child lost in a crowd of strange legs. Stand in a desert or prairie & you know you are in a big space. Stand in the woods and you only sense it. They are vast, featureless nowhere. And they are alive.
Of course it is of no use to direct our steps to the woods, if they do not carry us thither. I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit.... What business have I in the woods, if I am thinking of something out of the woods?
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up. I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
People often say that I have a child's eye. For example, I stare at ants gathering around sugar, or when I seek shelter from the rain, I gaze upon snails. These are things which you often do when you are a child aren't they? I have a very similar sensibility to that.
The great news is that that sort of group of people and that sort of sensibility is beginning to become more active again. And I think partly it just has to do with the time. It has to do with the culture of resistance. The necessity is for us to pull together and to speak up and to make work and be visible.
For me, sensibility is the location of talent. Sensibility comes first because only with the right kind of sensibility is talent useful. I've met many people who are extraordinarily talented but have no capacity to go outside of themselves or their field. I love those people, but they would not succeed in our culture.
Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
Unlike most actors, I did not have a horrible childhood. Most actors have had miserable childhoods and they go into acting to hide from their real life. I had no problem playing in the woods all day. People just sort of left me alone. I think I'm gonna go back to those woods.
Intelligence, that sublimation of the sensibility, that organ of the need to know, is sterilized sensibility.
I think our sensibility is not modernist anymore, that is, sensibility of people who are interested in art and literature.
I'm not an art director; I'm just not. I've always been somebody who has a sensibility that I hope is the same sensibility of others.
Most actors don't really have a director's sensibility. They have an actor's sensibility.
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