A Quote by Dan Fogelberg

I love Don Williams records. And old Ralph Stanley and Bill Monroe. — © Dan Fogelberg
I love Don Williams records. And old Ralph Stanley and Bill Monroe.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
Ralph Stanley is like an uncle to us and now that all my uncles are gone, Ralph's singing is even more precious. This album of classic folk songs is one of his best.
I don't listen to the radio too much, but usually I listen to Stanley Brothers and Ralph Stanley more than I do anybody!
There's only one Hank Williams, man. Singing that high-voiced style, them bluegrassers, I don't see how they do it - Jimmy Martin, Bill Monroe - it's just a natural thing, man.
When I was 12 years old I discovered Bill Monroe and my dad got me a mandolin.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
Bill Monroe is not singing about life in America. He's singing about life in Kentucky and Tennessee. And yet it's had this tremendous impact, not just in America but in the world. Why is Bill Monroe's hyper-regional music so universal? We can be so different and yet still share a tremendous amount.
I'm a combination of Linda Ronstadt, Loretta Lynn and Ralph Stanley.
Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.
Man, if it weren't for Bill's Records and Tapes I would've been an accountant like my dad. I love my dad, but thank God for Bill's.
In Botswana in the Kalahari Desert there's a tented camp called Jack's Camp, which is like old Africa meets Ralph Lauren. The Oriental rugs, the old leather chairs - you feel like you've just jumped out of a Ralph Lauren ad.
I want to collect more records from terrorists, but less records from innocent Americans. The Fourth Amendment was what we fought the Revolution over! John Adams said it was the spark that led to our war for independence, and I'm proud of standing for the Bill of Rights, and I will continue to stand for the Bill of Rights.
Listening to the Fifth Symphony of Ralph Vaughan Williams is like staring at a cow for 45 minutes.
I was never into the Bluegrass, Bill Monroe and stuff like that.
Do you know what Bill Gates has to pull out of an old coat, to feel like I did with a $20 bill? First of all, the idea that Bill Gates has an old coat is preposterous. If he has an old coat, it's the coat Abe Lincoln was shot in and he wears it as a bathrobe - no underwear by the way. He lets his billionaire balls swing willy-nilly beneath the death cloak of the great emancipator. That's your 1%.
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