A Quote by Dan Fogelberg

Storybook endings never appear.  They're just 'someone's' way of leading us here. — © Dan Fogelberg
Storybook endings never appear. They're just 'someone's' way of leading us here.
When you dream as a little kid, you dream about storybook endings and storybook players and scenarios like that.
Love in the real world doesn’t usually work out the way stories make us think it should. We don’t always get fairy-tale endings. People split up and move on. Just because you love someone doesn’t mean you can’t love someone else.” - Georgina to Brandy
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
Our own intuition of what we're called to is reality speaking to us individually and perfectly. We have to listen to how the Infinite talks to us and leads us. Reality, Life the Infinite, God, has a way of leading us in just the perfect way, if we will only just listen to it.
Now we have things that are obviously false, leading us to war, leading us to deny people health care, leading us to ignore the climate crisis. We have to restore the integrity of the democratic conversation.
Unhappy endings are just as important as happy endings. They’re an efficient way of transmitting vital Darwinian information. Your brain needs them to make maps of the world, maps that let you know what sorts of people and situations to avoid.
There are no endings, and never will be endings, to the turning of the Wheel of Time. But it was an ending.
Whatever the Way, the master of strategy does not appear fast….Of course, slowness is bad. Really skillful people never get out of time, and are always deliberate, and never appear busy.
Science, pure science, is leading us in a sense astray. Leading us astray with the idea that everybody has got to have everything that they want even if it means polluting the entire environment. It is a case of lets just keep one or two canisters of the smallpox virus because we'll never know when we might need it. Science is becoming very much a Dark Power, in many ways.
Let us affirm what seems to be the truth, that, whether one is or is not, one and the others in relation to themselves and one another, all of them, in every way, are and are not, and appear to be and appear not to be.
The way we deal with uncertainty says a lot about whether Jesus is ahead of us leading, or behind us just carrying our stuff.
As we blossom or awaken, we begin to notice there is a force in the world that seems to be operating and leading us into a certain destiny. And it's very much a kind of detective effort on our own part to figure out what these things mean. The synchronicity is essentially a meaningful coincidence that brings us information at just the right time. While leading us forward, it also feels very inspiring and destined in a way. It feels like we're on a path of unfolding in our own personal evolution.
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.
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