A Quote by Dan Fogler
When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
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A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I am kinda like, if I don't really know people I am a little passive and a little quiet, and you know most of my friends they know a different side of me, so I guess that's what kinda Twitter gets to see a little bit, things that I would say around my friends and joke around with.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
People recognize me once in a while and appreciate the work. It gets a little embarrassing, but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
Nine out of 10 people who recognize me recognize me from the commercials.
I am still so proud to have been a part of something that introduced theater to so many people who weren't exposed to it before. We took Broadway and put it in peoples' living rooms once a week for two seasons. People still come up to me in the street and say, 'I never went to theater before I saw "Smash.'" That's the greatest compliment.
I was never really aware of being famous. Being in a magazine or on a billboard - that really didn't register to me at all when I was younger. People would come up to me and recognize me, but I was very fortunate in that people were always so warm.
I want make sure I'm showing up for the people I'm really close to and my family, and so finding a balance is really important. But I don't want to quit drag at all. I want to be 90 years old and I want them to prop me up in the doorway and have hot dudes dance around me like Mae West. I really do!
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
My character has to be alive. It can't be a mere prop, and it has to have a life of its own. I need to have that space to play around and the scope to interact with the people around me. That freedom would give me a lot of margin to improvise with.
I never intended to go to Broadway. I was very happy being in an Off Broadway theater and having an Off Broadway life. What it did to me is try to fit a round peg - that's me - into a whole bunch of square buildings. I just didn't fit.
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