A Quote by Dan Fogler

I saw the 'Balls of Fury' script, and I was skeptical at first. — © Dan Fogler
I saw the 'Balls of Fury' script, and I was skeptical at first.
'Balls of Fury' was my first time directing, and that's a movie that I think parts of it are great.
Trump campaigned as somebody who was very skeptical of the multinational deals. He was supportive of Brexit. He was very skeptical of NATO. So what we saw of President Trump in Europe was what we saw of President Trump as a candidate.
I loved Road Warrior the first time. I saw The Road Warrior before I saw Mad Max, you know, I saw it in reverse order. And so I was, I've always been a fan of George Miller. This sequence I think got storyboarded after Fury Road came out I think as I recall. So I think, you know, we were inspired [making Maora].
Like most men, Jimmy Jim was neither all good nor all bad. It is just that when he was bad, gentler people saw in him a disturbing fury. People, a lot them, don't understand fury. They understand anger and even hatred, but fury is one of those old words that have gone out of style. Jimmy Jim Bundrum understood it. It rode his shoulder like a parrot.
When I read [the script] and saw that it was my fanboy wet dream of an Avengers script and that [Agent] Coulson was a big part of it, that was the great day for me. I just drove around the streets with the script in the other seat, giggling.
I saw people, and I can't name them of course, that maybe were skeptical at first that were really sold on Donald Trump.
My job is to be skeptical: skeptical of people like Edward Snowden and skeptical of the U.S. government.
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
First, you need to write the script, re-work on lots of things. First draft, second draft, once the final script is ready then you visualize which actors fits the role in that the particular script they've written.
The 'Reno' movie is very solid. 'Balls of Fury' I'm pretty disappointed in - I blame myself. People hate both of those movies equally.
I first saw Arnold Palmer when I was just a kid and he came to Columbus to play in a tournament. I watched him on the driving range hit balls that day. We went on to become great friends.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
I grew very skeptical of certain kind of Jewish separatism in my youth. I mean, I saw the Jewish community was always with each other; they didn't trust anybody outside. You'd bring someone home, and the first question was, 'Are they Jewish, are they not Jewish?'
When I first heard the 'Urumi' script, I was surprised, shocked, and excited. It was a strong script with a reference to the past. It had fact mixed with fiction. To incorporate facts into a film and introduce fictional characters was interesting. I loved the script.
There is so much in this world to be skeptical about if you want to be a skeptical a**hole. I'm kind of a skeptical a**hole. But not about vaccines, that's just not one of them.
You know when a script is good but you don't have any knowledge how visually it is going to look. When this [Happy Valley] came out and I saw the first episode and thought it was terrific.
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