A Quote by Dan Gilroy
Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.
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I had that laser focus, identified what I wanted when I was a kid, and never let anything get in my way. If you look on paper at who I am and what I sound like, and what I look like, you wouldn't say, 'Go into broadcasting.' It's just what I wanted to do - I knew that I could do it, and I never let anyone tell me that I couldn't.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
I had fallen in love once with someone, and I remember it being so distinct, where after the first time they'd hug me, I never wanted another man to ever touch me ever again.
I've directed things that other people have written before, and I've written things and given them to other directors. So I'm very versatile in terms of that, and I enjoy all of it.
I don't look like the way we've painted directors in our movies and everything since forever. I don't look like an old white guy in a baseball cap. So, yes, there are always moments when people are surprised that I'm the director.
I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.
I think that if you look at all of the books that have ever been written about people working in the White House, they're sort of the opposite of my book. And I think that so many people want to write a book that sort of memorializes their place in history. And I wanted to write something for all of the women who are like me. I grew up in upstate New York, I graduated high school with 70 other people and didn't ever know that anything like this would have really been an option for me. So I wanted other young women — and men — to know that just being you is plenty.
I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.
Everything is just very, very blurry. I've never had proper vision.
All directors are control freaks and very obsessive. I get the feeling that directors as kids, they all have had a childhood with not too much contact with other kids. They constructed their own reality and they continue to do it. It's a funny breed, directors.
I used to envy people who had written books, the way I think women envy other women who've had babies. I was resentful, shy, and inhibited around people who had written books. They'd done things I wanted to do.
The way I need to look, it's a very personal thing. When I started experimenting, it was to make myself feel happy, to look in the mirror and be satisfied. I never did drag or anything like that. It was always that I wanted to be pretty, to look beautiful, as a girl would want to.
I don't go to a lot of other directors' sets; directors don't come to mine. Directors are all very cordial with each other, but they're not necessarily friendly.
For every great thing we did, there is a very public moment of falling on our faces. But everything that came through us as a band was a distinct vision of R.E.M.
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