A Quote by Dan Gilroy
A number of years ago, I found a book of photography by Weegee; he was a crime photographer in the 1930s in New York. He was the first person to put a police scanner in a car and drive around.
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Traveling around, it can get very stressful sometimes, and I found yoga, thank God, like a couple of years ago. I went to my first yoga class, and I got hooked on it, and I go almost every day when I'm in New York. I find that it really balances me. And also, morning meditation.
The thing about New York is you can leave your house without a plan and find the day. You can't do that in Los Angeles. You need to get in your car, all this, you can't just drive around like a lunatic. In New York, you can literally walk outside, and wind up anywhere.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. That book had a number of sort of rites of passage for me.
When I moved out of London 13 years ago, I found a whole other reason not to drive. This was because my new husband Dan, unlike my dad, did drive, and this became a great source of fun and adventure.
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
I stopped taking drugs when I was 19, and who wants to drive a cab around New York with drugs in their car?
My name is Weegee. I'm the world's greatest photographer.
Crime is going down everywhere but in the New York City Police Department.
There is no requirement that police stop a person who enters a police station and states that he wishes to confess a crime or a person who calls the police to offer a confession because volunteered statements of any kind are not barred by the 5th Amendment.
... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.
I probably saved more black lives as mayor of New York City than any mayor in the history of this city. And I did it by having to use police officers in black areas where there was an astounding amount of crime. If that crime was in white areas, police officers would be in white areas.
I was a waitress years ago when I was first trying to become an actress, waiting tables in New York City.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
I first considered writing 'New York' in 1991. I'd been in the city for a decade, was married to an American wife, and sending my children to New York schools. I was even on the board of a coop building. But I wasn't sure how to organize such complex material, and for many years I put the project aside.
I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research.
Based on the number that they found, The New York Times reported that Hillary [Clinton] had basically clinched the primary 'cause you added the superdelegates to the number of delegates you'd already gotten. But this was on the eve of the California and New Jersey primary.
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