A Quote by Dan Harmon

Emotionally, shows like 'Cheers' and 'Taxi' were classic sitcoms when I was growing up. — © Dan Harmon
Emotionally, shows like 'Cheers' and 'Taxi' were classic sitcoms when I was growing up.
Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
I grew up watching shows like 'Martin' and 'Fresh Prince' and 'Moesha,' and I was inspired by all these shows. When I was growing up, there were so many black people in TV. That's just the world I was around.
My dad would have me watch the shows that he liked. I watched 'I Love Lucy.' I watched 'The Dick Van Dyke Show.' I watched 'M*A*S*H' and 'Mary Tyler Moore' and 'Bob Newhart' and 'Taxi' and 'Cheers.'
People tend to group together their favourite sitcoms and feel that they all took place in one spot named 'the past', but in fact all these sitcoms are spread over a long period of time, and all the terrible sitcoms that were on have been justifiably forgotten.
When you watch the sitcoms that were the big hits when I was growing up, TV was still just TV. It was allowed to just be TV. There were three channels that were competing for the whole family and you couldn't take your business elsewhere.
Growing up, I used to watch Happy Days, Laverne & Shirley, All in the Family. Those were the shows I watched growing up with my family. And, believe it or not, McMillan and Wife and Columbo.
Growing up, I used to watch 'Happy Days,' 'Laverne & Shirley,' 'All in the Family.' Those were the shows I watched growing up with my family. And, believe it or not, 'McMillan and Wife' and 'Columbo.'
With classic sitcoms like MASH, the characters all drove each other crazy, and that's what you loved to see.
The Classic games were Classic because, like classical music or architecture, they strove to give life and weight to ideals of order and proportion, to provide a vision of timelessness. In 'Double Dragon,' we can see the cracks in the brick, the mold growing on the drainage pipes, the unmistakable deterioration of the world we live in.
As much as I loved Pacino and De Niro and wanted to be a dramatic actor, I also grew up on sitcoms. I grew up on 'M*A*S*H' and 'All In The Family' and 'Cheers.' And then around this time - this would have been '95, '96 - I was so into 'Friends' and 'Mad About You,' the idea of being on a sitcom became a very real thing that I wanted.
Growing up is difficult. Strangely, even when we have stopped growing physically, we seem to have to keep on growing emotionally, which involves both expansion and shrinkage, as some parts of us develop and others must be allowed to disappear...Rigidity never works; we end up being the wrong size for our world.
I love sitcoms, and I grew up on sitcoms. That's my tasty junk food.
Though the contemporary shows are good, I prefer sitcoms like my father's.
Hot Boyz always shouted out a lot of things relevant to Texas so I connected with it. They were our neighbors and growing up we went to Louisiana every year for Mardi Gras, Bayou Classic and the Essence festival, so we grew up taking trips to Lafayette and New Orleans. Those were three annual trips.
I feel like the high-concept shows that have some kind of gimmick tend not to be the hit classic shows of all time.
In my neighborhood growing up, 8, 10,12 kids were the norm. Those stay-at-home moms would handle so much physically and emotionally. Even in my early teens, I could tell those ladies were something.
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