A Quote by Dan Hawkins

After school I moved to London to get involved in music. I took the whole thing very seriously. — © Dan Hawkins
After school I moved to London to get involved in music. I took the whole thing very seriously.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
The New Lost City Ramblers are a very good comparison, actually. They really took the music seriously, and we take the music very seriously. But we don't take ourselves seriously at all.
I didn't take a break from making music, but I took some time away from the "need to sell it" thing, and moved to my hometown, Umeå. I took my time there, exploring music on my own, on a very personal level.
We took the whole thing far too seriously. After all, those were early days in television.
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
Right after high school, I moved to Rio and took classes to become a technician for a manufacturing factory where you had to figure out how to produce 3,000 pairs of jeans. But in Rio, I was by myself, which was very liberating, being so young. I got to do my own thing.
I was always drawn to performing. I took improv and acting classes during the summers and was involved in middle and high school plays. But when I discovered indie and punk music in high school, those things sort of took over.
The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.
I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
I played soccer for nine years, so I took that route instead of singing. I played on the outside team as well as in school, so I was always playing soccer. It wasn't until I moved back to London that I really, like, started investing in music again and realized, OK, yeah, this is definitely what I want to do.
I had to get good grades and do well in school - my mother was an assistant principal and my father was a teacher - and they took this very seriously.
I moved to London to get an agent, though that took a while - everyone said no, understandably.
I moved to Seattle when I was two or three years old. Had my early education there, and would spend summers on the farm in Maryland. Then I went to boarding school in New Hampshire, to St. Paul's School. From there, I moved to London.
After high school, I moved to the U.S. and studied music in Boston, at the Berklee College of Music.
I was born in Egypt, and my family moved to London when I was seven. I grew up mostly in Clapham, where I also went to school after a brief stint in Whitechapel.
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