A Quote by Dan Hawkins

I can't wait to start something up myself that is actually about giving unsigned bands the exposure they deserve, especially when they travel so far to play the smallest gig they've ever played in their lives.
Growing up I played in garage bands and cover bands with my older brother, and he got us a gig opening up for some hippie jam band. I was 15. I felt like such an adult!
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
If girls are ever going to start to be in bands as the norm rather than as the exception. They need to see people up there that have just started playing. That's something that had gotten lost. I think that's why there are so many great girl punk rock bands now. It's like you have to make up your own rules because the old rules don't apply. You just have to start with what you have.
I didn't expect major labels would embrace MySpace, and the original idea for music on the site was the unsigned bands, the independent bands.
I have really got into watching the unsigned bands. They play mad venues like the Sugarmill in Stoke and all sorts of underground, grimy places.
I think the whole concept behind lyrics is you better mean what you say, or you should like, become a storyteller. I mean, there's a lot of bands who are just storytellers, and then there are bands who actually have something valid to say. And the bands who have valid points are few and far between.
I played in school jazz bands and tried to start rock bands, but nobody was interested.
The giving up of personality traits, well-established patterns of behavior, ideologies, and even whole life styles...these are major forms of giving up that are required if one is to travel very far on the journey of life.
This I can report from the front lines: life never calms down long enough for us to wait until tomorrow to start living the lives we deserve.
A band that we supported called Blackfish in Manchester, played the most insane gig I've ever been to. Everything was set on fire, and then they came on and played one of the coolest gigs I've ever seen.
Our first gig was a battle of the bands. We did 45 minutes of comedy and never played a note - and we won!
I taught myself to play guitar and sing. I ended up writing a lot of music and had a band and was playing in bars and pubs all around Sydney, going on tour. I played with some pretty big bands in Australia.
Do you ever look at the sky and think, I'm glad I'm alive? After I heard System of a Down, I thought, I'm actually alive to hear the shittiest band of all time. Which is quite something when you think about it. Of all the bands that have gone before and all the bands that'll be in the future, I was around when the worst was around.
I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.
I've played in some pretty weird settings; busking puts you in all kinds of situations. I can tell you the most depressing gig I've played was in the North of England. At that time, I was playing with a band. We drove 7 or 8 hours to Carlisle to play a 600 - 700 capacity venue - 9 people showed up.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
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