A Quote by Dan Hill
While certainly no pressing threat to Gordon Lightfoot, I knew it was simply a matter of time until I was going to be a star.
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I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.
I was a Gordon Lightfoot fan before he ever had a song out. You just knew he was pure talent and he was going to be successful. Gordon has written and recorded some of the greatest music ever.
I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.
People have told me I look like Gordon Lightfoot.
Gordon Lightfoot has created some of the most beautiful and lasting music of our time. He is Bob Dylan's favorite singer/songwriter - high praise from the best of us, applauded by the rest of us.
I started The Body Shop in 1976 simply to create a livelihood for myself and my two daughters, while my husband, Gordon, was trekking across the Americas. I had no training or experience and my only business acumen was Gordon's advice to take sales of £300 a week. Nobody talks of entrepreneurship as survival, but that's exactly what it is and what nurtures creative thinking.
Gordon Lightfoot looms pretty large in my life as a writer and an artist in general. I never travel anywhere without at least two of his records with me.
Up until the time I was cast in 'Star Trek,' the roles were pretty shallow - thin, stereotyped, one-dimensional roles. I knew this character was a breakthrough role, certainly for me as an individual actor but also for the image of an Asian character: no accent, a member of the elite leadership team.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
I just knew that I was funny, and I knew that it was just a matter of time. I didn't know what was going to actually happen - this is definitely way bigger than I thought - but I knew there was no way I was going to be that funny, and nobody was going to notice it.
Once he entered my life, I promptly forgot all my years of putting on a brave face while browsing at bookstores until closing time, and of having one, two, three beers while watching crime shows and CNN. I completely forgot the hateful sensation of loneliness, like thirst and hunger together pressing on my stomach.
After I started singing, I'd go to my dad's records I grew up with in his house listening to: Gordon Lightfoot, John Denver, the Carpenters, Bob Seger, Neil Diamond, voices that resonate with you, that you know who they are right away.
Assessing any possible threat is one thing, but pressing into a full investigation without facts of a crime or national security threat violates standard procedure.
If you're overbooked, you can't manage pressing problems or even recognize they're pressing until too late.
There was something I was always very good at, however, and that was teaching myself not to be frightened while frightening things are going on. It is difficult to do this, but I had learned. It is simply a matter of putting one’s fear aside, like the vegetable on the plate you don’t want to touch until all of your rice and chicken are gone, and getting frightened later, when one is out of danger. Sometimes I imagine I will be frightened for the rest of my life because of all of the fear I put aside during my time in Stain’d-by-the-Sea.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
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