A Quote by Dan Jenkins

Lonnie says it doesn't take long to write a song if you're stricken with a severe case of the Tennysons. He wasn't necessarily talking about a chart-climber. — © Dan Jenkins
Lonnie says it doesn't take long to write a song if you're stricken with a severe case of the Tennysons. He wasn't necessarily talking about a chart-climber.
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
I suffer from depression. Severe cases of it. Not one case of depression, not a severe case, but severe cases of depression. Music is my only outlet, it's therapeutic to me. It's a release. It's how I vent emotionally.
If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.
I think it's absolutely possible to write a song and go somewhere where no one's been before, uncharted territory. In terms of content, I see limitations where there should be none. I know there are things I wouldn't write about, but that shouldn't be the case. You should be able to make a song out of anything, out of any situation.
I remember writing lyrics for 'Take Me to Church' for a long time before I even had a song in mind for. It's not that I was trying to write that song for a year, but sometimes you just kind of collect lyrical and musical ideas and don't actually complete the song until you feel like they work together and have a home.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
Mentally, I write myself a little story. Of course, sometimes you have a song that says, "Do that." My best example is Singin' in the Rain. Arthur Freed had insisted that the song should be in the picture, but he was very anxious about it.
You don't really write a hit song - you write a great song, and then, if the public decides it's a hit, they take over from there. The song becomes its own monster.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
But I'll never write another Missing You' again as long as I live. I hope that I'll write a good song, but I don't think that I'll be able to write another song that will reach people that much.
You have to insulate yourself - I'm talking about from everything, people can be talking to you and you won't hear 'em - that's how you write a song. And I haven't been able to do that over here 'cause I'm so busy and then, when I am off, I want to get away from music.
Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.
You don't necessarily have to write a song to make it your own. After all, Elvis never wrote a song in his life.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
'Sally' is just a song that I wrote talking to my alter ego. When I write, I don't really consciously say, 'This is what I've been going through in my life, and I'm gonna put this into words.' It's just a song that I kinda went in and did. Then, listening back to it, I realized, 'I'm talking to myself.'
It's cliche, but everybody says, 'We're all one song away,' and it's so true. The difference between me and the guy down the street busking with his guitar case open is just one song.
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