A Quote by Dan Levy
I know that in writer's rooms across North America, there are still conversations about how much is too much when it comes to intimacy between, in my case, two men. That's an insane conversation to be having.
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I still have a lot of family in America. I still have a lot of friends there. There is a lot that I admire there very much. When I find America getting too much criticized outside America, I want to tell them how many things are good about it.
I think that we need to have an honest conversation in this country. This idea that somehow we're beyond sexism, beyond racism is just wrong. And this is where having an honest conversation with white men about their issues and their concerns, and having honest conversations about the experiences that African-Americans are still having, despite who's the president of the United States, in the criminal justice system that we see in sentencing, we see in policing and a lot of these issues.
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim 'You know exactly what I mean!' depend for much of their force on the anonymous character of the intimacy between writer and reader.
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim "You know exactly what I mean!" depend for much of their force on the anonymous character of the intimacy between writer and reader.
When I was a young fellow, I used to learn the dialogue backwards. The point is that in a conversation between two people, you can't have already made the decisions about what you're gonna do. You gotta be very light on your feet. That leads you into areas where conversations can have a much bigger, grander meaning.
In men whom men condemn as ill
I find so much of goodness still,
In men whom men pronounce divine
I find so much of sin and blot,
I do not dare to draw a line
Between the two, where God has not.
When you think of how much violence, how much blood... how much has been destroyed to create the great nations, America, Australia, Britain, Germany, France, Belgium - even India, Pakistan. Having destroyed so much to make them, we must have nuclear weapons to protect them - and climate change to hold up their way of life... a two-pronged annihilation project.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Walmart has stores in almost every city in North America. When they go to same-day delivery, they don't have to build warehouses across North America like Amazon has to do. It is so much cheaper for Walmart to use existing stores as distribution centers.
I always used to say to my ex-girlfriends that I could never take a good photograph of them, because there was too much of an intimacy between us, but actually the real thing is, if there's a proper intimacy between you... I find it really compelling and exciting - it's quite good foreplay.
If you go to a diner in the middle of America, people are having these conversations, but our politicians are too scared to bring it up because they're worried about offending the 0.002 percent of the country that may somehow be subject to what the conversation may be. And it's ridiculous.
I've always said that the big difference between South America and North America with regard to the native population is that in North America they raped them and killed them, and in South America they raped them and married them. The mix was much greater, and that was very good.
I will be doing a film called Whispers, for Disney. It's about elephants, and doesn't have any people in it. It will be a live action film - I don't know how much I can say about it, since I still don't know too much about it.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
On Memorial Day, I was out floating on Lake Norman and came across Denny Hamlin. We struck up a conversation, and one of the first things we were talking about was how much it helped him when he started racing the Cup car and how much it helped his Nationwide program.
You're always fighting the contradiction between the supposed intimacy of a two-person conversation and the blunt reality that you're trying to sell the play to people who are sitting maybe too far away from you.
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