A Quote by Dan Quayle
When you make as many speeches and you talk as much as I do and you get away from the text, it's always a possibility to get a few words tangled here and there.
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Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.
I’m not too keen on talking. I always have the feeling that the words are getting away from me, escaping and scattering. It’s not to do with vocabulary or meanings, because I know quite a lot of words, but when I come out with them they get confused and scattered. That’s why I avoid stories and speeches and just stick to answering the questions I’m asked. All the extra words, the overflow, I keep to myself, the words that I silently multiply to get close to the truth.
I do get bottled up in interviews. You're thinking about what you're saying, and suddenly you get all tangled. So people think I'm sullen, or that I don't have much to say. But my friends will tell you: a lot of times I talk too much.
Not many shows bring fans and artists together, and 'Rock Dinner' is one of the few shows that does it. Every opportunity I get to get closer to one of my fans - and get to know them and talk to them - I'm always going to take that opportunity with arms wide open and make it a priority.
He pulled himself out of hard times, dealt with the scars from it, pushed himself to make a mark. A little bit of the wild side there, always. I told myself, oh no, I won't get tangled up with this one. And I said it again, even when I was tangled up.
I had a great acting teacher in high school. But I didn't like acting because it took too many people to get the job done. You have to talk to too many people and listen to others' opinions. With music, you get a few friends together and just make it.
I had a great acting teacher in high school. But I didnt like acting because it took too many people to get the job done. You have to talk to too many people and listen to others opinions. With music, you get a few friends together and just make it.
I can get by and chatter and talk and tell funny stories, make people laugh, but I don't have as many words, I don't have the vocabulary. I think if I forced myself to read in Spanish - you know, I always say I'm going to, but I lose my patience reading in Spanish, because I really do read the way a third grader does, mouthing the words. That takes a long time!
Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.
What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more.
There’s a great scene in The Texas Chain Saw Massacre [1974] that I’m obsessed with: Sally is being chased by Leatherface with a chainsaw... And she runs into thorn bushes. And she’s getting tangled up in it because she’s running fast... But Sally needs to move slowly in order to get through the bushes - she will get farther faster by going slowly because her hair and clothes won’t get tangled and caught. There’s something really beautiful about understanding that, while someone’s chasing you with a chainsaw, you have to move more slowly in order to get away.
If they can go out and buy my albums, I can at least make the sacrifice to holler at the few people who call. A lot of times I'm busy so they'll get my voice mail. And if I can speak to them and I have time, I always text back. Because I think that's very important.
To use many words to communicate few thoughts is everywhere the unmistakable sign of mediocrity. To gather much thought into few words stamps the man of genius.
When ordinary people wake up, elites begin to tremble in their boots. They can't get away with their abuse. They can't get away with subjection. They can't get away with subjugation. They can't get away with exploitation. They can't get away with domination. It takes courage for folk to stand up.
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
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