A Quote by Dan Quayle

The thing is, if you control the Senate meetings, you control the gavel. And the gavel is a very important instrument... an instrument of power. An instrument that establishes the agenda.
From the beginning, we promised folks that they'll see whatever event we cover in its entirety, from gavel to gavel - whether it's the House of Representatives or the Senate. That's the whole reason for being.
The most important thing is to make a percussive instrument a singing instrument. Teachers should stress this aspect in their instruction, but it seems that very few of them actually do.
My other hobby, because I just love any job with a gavel, is auctioneer. And I so often have presided over charity auctions in New York that many years ago Sotheby's sent me my own gavel. Now, the Sotheby's gavel is infinitely more elegant--it came in a little velvet bag, with "Sotheby's" inscribed in gold. It hangs in my library. I feel that everyone has occasion to use a gavel at various times everyday, they just don't think of it.
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
Language is power, life and the instrument of culture, the instrument of domination and liberation.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
The guitar has become a textural instrument rather than a lead instrument. And I think that's probably a good thing.
An enlightened teacher teaches you how to gain power. They give you power. They teach you how to shape it so that it becomes an instrument of beauty and not an instrument of unhappiness.
Using modern guitar techniques and modern methods on an early instrument is not a very clever thing to do, because it is the authentic spirit of the instrument that should dictate the quality and characteristic of the sound.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
A bird is an instrument working according to mathematical law, which instrument it is within the capacity of man to reproduce with all its movements, but not with a corresponding degree of strength, though it is deficient only in the power of maintaining equilibrium. We may therefore say that such an instrument constructed by man is lacking in nothing except the life of the bird, and this life must needs be supplied from that of man.
You never can overwhelm an instrument. You will never get out all that's in an instrument. An instrument will bring you to your limits.
Only social patterns can control biological patterns, and the instrument of conversation between society and biology is not words. The instrument of conversation between society and biology has always been a policeman or a soldier and his gun.
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
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