A Quote by Dan Quayle

Illegitimacy is something we should talk about in terms of not having it. — © Dan Quayle
Illegitimacy is something we should talk about in terms of not having it.
To talk about planning an economic system is to talk in old terms, and I find myself sometimes having to teach Westerners about what the market really means.
To talk about planning an economic system is to talk in old terms, and I find myself sometimes having to teach Westers about what the market really means.
Nobody thinks in terms of human beings. Governments don't, why should we? They talk about people and the proletariat; I talk about the suckers and the mugs. It's the same thing.
We also have this reflex of using specialists for everything, instead of having the person who is there every day with them, the teacher, talk about death and suicide. In the film, it's portrayed a little bit like a caricature, but it's the psychologist who comes in and Monsieur Lazhar does not think it's a good idea. He thinks he should be the one who should talk about that with the children.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
It should be possible to emphasize to students that the level of employment is a macroeconomic issue, depending in the short run on aggregate demand and depending in the long run on the natural rate of unemployment, with microeconomic policies like tariffs having little net effect. Trade policy should be debated in terms of its impact on efficiency, not in terms of phoney numbers about jobs created or lost.
If there is anything more annoying in the world than having people talk about you, it is certainly having no one talk about you.
In life, you have to go through something to get to something. From that, the inspiration comes having something of substance to talk about; otherwise you're just considered to be fluff.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
Australians and New Zealanders don't talk about Gallipoli in terms of invasion. I started talking about it and using that word and at first there were a few people who were getting upset in the same way that in any country, if you work for a newspaper you know exactly the dude you can go and talk to get a knee-jerk reaction when it comes to something to do with the military.
A quote that I like very much comes close to explaining my attitude about taking photographs. ‘Chinese poetry rarely trespasses beyond the bounds of actuality the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.’
The diversity of America is a strength of the country, and I don't think that we use that. We don't talk about our strengths. I mean, having so many diverse people in this country from all aspects of all over the world, and we don't use that. I think we should talk about who we are - that melting pot that we've become.
You don't get white comedians being asked to talk about their race in their shows. I should be given the same agency to talk about what I want to talk about.
We speak about understanding each other, having those conversations nationwide - culturally, historically - and yet there's a lot of gaps. So I want to assist with closing the gap of knowing about and hearing about our Latino communities in terms of literature, in terms of writing.
To me, having 'material' for an essay means not only having something to write about but also having something interesting and original to say about whatever that might be.
The Court is most vulnerable and comes nearest to illegitimacy when it deals with judge-made constitutional law having little or no cognizable roots in the language or design of the Constitution.
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