A Quote by Dan Rather

It's a legitimate point to debate. But it's part of the reality. It's happening, but it's also true they (looters) are in the distinct minority. I think there's a hero on every street corner in New Orleans, and I think the reporting has shown that. I think the balance has been there.
I am very annoyed about this issue. Why can’t it be a choice? Why is that any less legitimate? It seems we’re just ceding this point to bigots who are demanding it, and I don’t think that they should define the terms of the debate. I also feel like people think I was walking around in a cloud and didn’t realize I was gay, which I find really offensive. I find it offensive to me, but I also find it offensive to all the men I’ve been out with.
I've always loved Louisiana and particularly New Orleans, and I think a lot of people when they travel there, think they're home there - there are just so many spirits, it's so rich in culture. It's steeped in a true spirit of individuality that makes this country. It's the oldest part of our story, in a way. And being in that climate, it was really conducive to letting our imaginations soar. I found it to be the true inspiration.
When you think about Twitter, there are people all around the world reporting twenty-four seven, every second. They're reporting what they're seeing and what's happening around them. So there's a lot of potential for breaking news.
You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
Is there any point in public debate in a society where hardly anyone has been taught how to think, while millions have been taught what to think?
King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure.
People always ask us women about how we balance our lives. Rarely do they ever ask men this but we are asked this and it makes a lot of sense - balance, right? It sounds right. And of course you do have to balance because otherwise you'd go crazy. And you do have to find ways of doing things in a sensible manner, raising children and all those choices. But then there's a part of creativity which is irrational and which is obsessive and then that's also part of what we do. So, I don't think that's a bad thing. I think that's part of what makes someone good.
In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.
I think what is happening is that Houthis and the Iranians have common interests, but there's very little good journalism that's been done to uncover the true extent of that relationship between the Houthis and Iran. But, obviously, I do think that they - they benefit from the rhetoric of the Houthis on the ground. But, also, they do have a connection, but not to the extent that is being covered in the media at the moment by describing them as a Shia militia backed by Iran. I think that's an overstatement.
I think the Jets came in with a legitimate offer. At that point, I hadn't had one from the Eagles. I had to think, 'I've really got to work up here [in New York]? Do you really want to deal with that on a weekly basis?
I'm doing a lot of research right now on what's happening in Arizona. That's where I'm at with more conventional documentary filmmaking. I think it is an urgent cause. I think I need to make something. I'm a part of it. Everybody's a part of it, and this country needs to know what's happening there in a very truthful way.
I think anyone who knows me at all knows that I have been a movie addict all my life. I grew up in a city obsessed by cinema and where there are cinemas on every street corner.
New Orleans could not be further removed from where I am from. I come from Holland, where everything is perfectly arranged - it's neat; there's no real crime. There's a very strong middle class. Then you get dumped in New Orleans - just the funkiest city, crazy problems, but also street culture unlike anywhere in the States.
If it true that perception is reality, then what is shown on TV is that part of the collective consciousness known as Public Knowledge, that is, the fragment of reality which the mass of people acknowledge to be true.
I think you balance the things you've been dying to do all your life. And the opportunities that come along, that you didn't maybe think of, that are so amazing, that you'd kick yourself if you didn't try to be a part of them.
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