A Quote by Dan Rosensweig
When you're in college, you really don't know where you're going to end up, but you know who you want to be along that journey.
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What the dead don't know piles up, though we don't notice it at first. They don't know how we're getting along without them, of course, dealing with the hours and days that now accrue so quickly, and, unless they divined this somehow in advance, they don't know that we don't want this inexorable onslaught of breakfasts and phone calls and going to the bank, all this stepping along, because we don't want anything extraneous to get in the way of what we feel about them or the ways we want to hold them in mind.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
Often what happens with the writing is that you know where you want to start and you know where you want to end, but the journey is never quite what you predict because the characters take on a life on their own.
There's something to be said for going to a shelter and checking out the adults first because you can really get to know the personalities of the animals. Whereas when you get a puppy or kitten, you don't really know what you're going to end up getting.
I definitely want to continue being an actress. I love it. The reason I'm going to college is because I do want knowledge in another field. College isn't the college experience for me. I'm not going to be in a sorority. I'm not going to network. I'm not even really going to make my lifelong friends.
I believe that the Israelis and the Palestinians, by and large, want peace, they each want their own country, and they want to get along, and they are going to get along. I know it sounds unbelievable, but I know enough about this, having been there, that these are sophisticated people. It's not like in Pakistan, where people have been told about Jews for a thousand years but don't know any. The Palestinians know the Jews.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
I rebelled during my high school years really bad. I started messing around with drugs and having relationships with girls and partying. And I used to tell God, "Hey God, after college I'm going to serve You because I know that's what I want to do with my life. I know that's the best way. I know that's why I was created. But right now I want to sin because I love it. I want to have a lot of fun."
You die - and this is why manmade religions don't work for so many of us. The notion that you're dead and that's the end, and they even try to contain you in coffins. They make them out of steel and stuff. But really, your journey - for all you know - is just beginning. For all I know, what you see now is just a tiny little seed. So, I may blossom into an entire - I don't know - something in the sky. Who knows where we're going?
Create a really interesting, complex person that you want to know more about, and take her on a journey that is rich and fulfilling and that has an end that is perfectly fulfilling, and that has an end that is perfect for that character, and the audience will love it.
We call for the end of bigotry as we know it. The end of racism as we know it. The end of child abuse in the family as we know it. The end of sexism as we know it. The end of homophobia as we know it. We stand for freedom as we have yet to know it. And we will not be denied.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
At the end of the day, you're handing your performance over. If a director says after a take, 'You know what, try it just really angry. Just get furious'... you're like, 'Well, I don't know if I want to give you that because I don't know if I trust what you're going to do with it.'
Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way.
People can have all the expectations that they want, but I know that you never know what's going to happen in life. Everything is part of the journey.
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