A Quote by Dan Savage
Oftentimes, when people write me 4,000-word letters, I write them back and tell them if their problem's that complicated, they probably need a lawyer or a cop, and not me.
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Write," he said. "I'll write to you as soon as I get there," answered Julian. "No. Not to me. Write books. Not letters. Write them for me, for Penelope.
People write me letters and say I should answer them. But I don't like to answer letters. I don't write letters. I've never written my mother one.
I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.
If I wanted to connect like I do now, I'd have to write 500,000 letters, get 500,000 stamps, send them out and wait for them all to come back. This stuff is instantaneous. I can see if someone is having a bad day and send them a smiley face and have an effect on them. It's fun, but it's also a very powerful thing.
I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.
I always write back to people who are kind enough to write to me. Actually, I don't write - I recline on my red velvet sofa with my feet on the coffee table and dictate the letters to my eldest son.
I don't write these stories for the rewards that come back to me. I write them because I have to write them. It's a sickness on some level. It's a compulsion.
Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
An average English word is four letters and a half. By hard, honest labor I've dug all the large words out of my vocabulary and shaved it down till the average is three and a half... I never write metropolis for seven cents, because I can get the same money for city. I never write policeman, because I can get the same price for cop.... I never write valetudinarian at all, for not even hunger and wretchedness can humble me to the point where I will do a word like that for seven cents; I wouldn't do it for fifteen.
Yes, I receive fan mail. One of my favorite things to do is sit down and read the letters people write. It's really amazing the time people take to write these letters, tell their stories, draw pictures, etc.
I work on a word count basis, so I have to write three thousand words a day. I can write them in the morning, I can write them in the evening; as long as they get done.
My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
Everyday, the mail brings the thousands of letters, and you hand over to Me personally hundreds more. Yet, I do not take the help of anyone else, even to open the envelopes. For, you write to me intimate details of your personal problems, believing that I alone will read them and having implicit confidence in Me. You write, each one only a single letter, that makes for Me a huge bundle a day; and I have to go through all of them. You may ask how I manage it? Well I do not waste a single moment.
I wasn't Lennon, or I wasn't McCartney. I was me. And the only reason I started to write songs was because I thought, 'Well, if they can write them, I can write them.'
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
People always say, 'Do you get bothered by what people say or blog or write about you?' I only do if I know them. If I know them, and I have a relationship with them and they write that, then that would surprise me a lot. Usually the people writing the negative stuff don't know me at all.
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