A Quote by Dan Scanlon

I was an animator for a while early on, but a 2D animator. — © Dan Scanlon
I was an animator for a while early on, but a 2D animator.

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It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".
This new generation of animators was trained in CG. They know all the fundamentals of any 2D animator, but a lot of them learned on these CG rigs. You give them a good rig, and they can make that thing sing.
When I was in high school in the early 1960s, I wanted to be an animator and even took art classes. But by the time I was in college, I realized I couldn't draw well enough.
I hired Bob at Terrytoons. He was my assistant animator, and then became an animator himself. He had just come from Boston with his family and was a brilliant draftsman as well as a great jazz guitarist. We had lots of fun nights in Greenwich Village together and then later hanging in LA. Bob worked on Fritz the Cat , Heavy Traffic , Coonskin , and on Wizards . I am terribly saddened by his passing and will miss him dearly.
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.
An animator is an actor with a pencil.
I'm a big fan of pantomime storytelling, being an animator.
Literally overnight, I became an animator... and one that was well-known.
I've always wanted to be an animator. That's an ultimate art form, right there.
If I hadn't gone into acting, then I would have perhaps become an animator.
I've always wanted to be an animator. That's an ultimate art form, right there
I'm writing a movie script about vampires with an animator called Michael Booth.
My first ambition was to be an animator for Walt Disney. Then I wanted to be a magazine cartoonist.
To be an animator you have to be able to tell stories but I'm not very verbal - I definitely do it through pictures.
Short films really helped me develop as a story teller, animator, and as a director.
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