A Quote by Dan Simmons

This is every writer's nightmare - the sudden breakdown of meaning in the language that sustains and supports us. — © Dan Simmons
This is every writer's nightmare - the sudden breakdown of meaning in the language that sustains and supports us.
The semanticists are exactly wrong in regarding language as an obstruction or series of pitfalls. Language, on the contrary, appears as a great storehouse of universal memory, or it may be said to serve as a net, not imprisoning us but supporting us and aiding us to get at a meaning beyond present meaning through the very fact that it embodies others' experiences.
One of the reasons I love language is that concerning semiotics, language is an arbitrary sign system, which means the signs within it are free-floating, but we put them in a certain order to get them to have meaning for us. If we left them alone, they'd be like water, like the ocean. It would be just this vast field of free-floating matter or signs, so in this way, I think language and water have much in common. It's only us bringing grammar and syntax and diction and the human need for meaning that orders language, hierarchizes it.
Writing sustains me. But wouldn’t it be better to say it sustains this kind of life? Which doesn't mean life is any better when I don’t write. On the contrary, it is far worse, wholly unbearable, and inevitably ends in madness. This is, of course, only on the assumption that I am a writer even when I don’t write - which is indeed the case; and a non-writing writer is, in fact, a monster courting insanity.
let us thank God for having made us this gift of death, so that life is to have meaning; of night, that day is to have meaning; silence, that speech is to have meaning; illness, that health is to have meaning; war, that peace is to have meaning. Let us give thanks to Him for having given us weariness and pain, so that rest and joy are to have meaning. Let us give thanks to him, whose wisdom is infinite.
That's critical to me, the community. When I was 12 years old, I had a mental breakdown; I went berserk for a long time. I felt rejection from the white community. Couldn't understand why the pigmentation of my skin kept me from doing. Everybody always told me "You're going to be something." And of course, I began to raise questions about why it is that white folks treat us the way they do. The breakdown was very vivid. I just all of a sudden felt like I had been overcome by a train.
My interest is in how meaning is communicated via language, and I believe the shape, positioning, even the color of the language has an effect on meaning.
We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.
Fasting reminds us that we are sustained by every word that proceeds from the mouth of God (Matt. 4:4). Food does not sustain us; God sustains us.
Now that we're essentially an indoor species, walled off from the world of other life forms, we're divorced from the very domain that supports and sustains our lives.
While self-interest arising from the enjoyment of meat eating is obviously one reason for its entrenchment, and inertia another, a process of language usage engulfs discussions about meat by constructing the discourse in such a way that these issues need never be addressed. Language distances us from the reality of meat eating, thus reinforcing the symbolic meaning of meat eating, a symbolic meaning that is intrinsically patriarchal and male-oriented. Meat becomes a symbol for what is not seen but is always there--patriarchal control of animals and of language.
You know the actor's nightmare is getting up onstage and not being prepared? I think the writer's nightmare is giving a reading and somebody standing up and saying, 'That's not your story.'
As the writer, you can choose the word that seems best in terms of meaning, nuance, sound, etc. As the translator you are unlikely to find a word in your language that exactly matches, so that you are always making a decision about which meaning or nuance to choose, or emphasize, over the others.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning
For Berkeley (normal) vision is a language whereby God tells us about the tangible world. But prior to having experience of the tangible world, the visual language would be as meaningless as an utterly alien language. It would convey no meaning to the sighted mind.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
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