A Quote by Dan Smith

I was obsessed with harmonies and how to put songs together in lush soundscapes. But I don't know what it was all about, really. — © Dan Smith
I was obsessed with harmonies and how to put songs together in lush soundscapes. But I don't know what it was all about, really.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I just do as many songs as I can and then I put it together when I get sort of in the middle, maybe 30 songs, that's when I start really thinking about the name of the cd and what direction all the songs are going, that kind of stuff. But I don't ever want to corner myself, I just want to be able to express whatever I can express in songs and just pick after that.
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
The extraordinary thing about Irving Berlin is that he's like the American Mozart! It seems as if his songs were always there. How do you put together songs like 'Always' or 'Cheek To Cheek'? Songs of his are, frankly, perfect.
I'm obsessed with the science of music. I'm obsessed with the way you can string notes together and they can do something, and you play the same notes in another way and they do nothing. How the essence within songs - within words, within lyrics - finds its place.
Honestly, like, I'm a superfan of the 'New York Times,' but I know nothing about how they put it together, and I really don't care.
I didn't know how to grab your best material and put it together into a comedy set. I would just choose subjects and do it onstage. That's what I learned. I didn't know how to put a set together.
I want nice songs. I don't want to worry about where I have to place songs on a playlist. I'm looking to make genuine, great songs and put them together into albums.
I always liked really heavy guitar music, but didn't like the long-winded songs that went with it. And I always liked pop songs, but was driven nuts because the guitars were so wimpy sounding. So I decided to put the two together. That's how the Muffs started.
You can't understand the words of Cocteau Twins songs, but their harmonies put you in a dreamlike state.
When I think about putting together an album, the process of listening to hundreds of songs each time and picking out the best 10 or so that will go on the record, it really sinks in as to just how many songs I've listened to all these years.
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
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