A Quote by Dan Smith

When 'Flaws' went to No 21, we thought it was the most chart-bothering thing we'd ever do. We had a little party and started thinking about the next album. — © Dan Smith
When 'Flaws' went to No 21, we thought it was the most chart-bothering thing we'd ever do. We had a little party and started thinking about the next album.
I started when I was 21, and it was always about getting the next job - like most actors, that's all it's ever been for me.
The funny thing is, the music that I'm writing now is probably some of the most cutting edge we've ever done. The music that I'm thinking about putting on our next album.
When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.
I'm a little nervous. Definitely. Especially coming from an album like Biophilia, which was about the universe. This is more of a traditional singer/songwriter thing. When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there's nothing you can do. You have to let it be what it is.
If it happens, I'll be proud, and it would be a dream come true, though I doubt I ever thought I'd be a Hall of Famer when I started. It wasn't until late in my career that people started to mention it, and you start thinking about it a little bit.
While most people turn 21 and decide to go out and party, I turned 21 and decided that I was going to become somebody that I never thought I could be: somebody who cares about herself and her body, her future, and her health.
The next album I make might be the most messed up thing ever. It's all momentary for me.
When I first got started in the late '70s, early '80s, and first was thinking about the interactive world, I believed so fervently that it was the next big thing, I thought it would happen quickly.
When you're 18 and you've made the album of your dreams, you're not really thinking about the machinery that will actually take it to the public. You just think: "I've done the best thing that I could ever do and this is the most magic moment for me."
I had been composing just for myself, and people would say I played so orchestrally, and wondered if I thought about having someone write a piece for me for an orchestra. And I thought, I don't want someone else to write that. You know I finally had made an overhead chart of my drums and what pitches the cymbals and toms were tuned to, and what have you. And I started to compose just with what I had for my solo drumming.
I don't remember who was there, except Dora. I have not the least idea what we had for dinner, besides Dora. My impression is, that I dined off Dora, entirely, and sent away half-a-dozen plates untouched. I sat next to her. I talked to her. She had the most delightful little voice, the gayest little laugh, the pleasantest and most fascinating little ways, that ever led a lost youth into hopeless slavery. She was rather diminutive altogether. So much the more precious, I thought.
I'd met Dr Dre, he was thinking about his next album, we talked a little and he said, 'Let me give you some of these loops and see what you come up with'.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
Laughter is an important part of a good relationship. It's an immense achievement when you can move from your thinking that your partner is merely an idiot to thinking that they are that wonderfully complex thing called a loveable idiot. And often that means having a little bit of a sense of humour about their flaws.
I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'
Album 1 is proving that you're worth listening to, album 2 is proving that it wasn't a fluke, and album 3 is the most authentic thing I've ever done.
This site uses cookies to ensure you get the best experience. More info...
Got it!