A Quote by Dan Stuart
I started, me by myself, found a great co-founder, got up to 95 people, and then it ended with me by myself again.
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I was incredibly confident on stage because that's where I loved to be. But offstage, there was no balance. I was a little shy kid that went onstage. And I always said, cocaine was the drug that made me open up. I could talk to people. But then it became the drug that closed me down. So it started out by making me talk to everyone, and then ended up by me isolating myself alone with it; which is the end of the world, really.
I just put myself in a hotel and was smoking coke for a while. Then I met up with the wrong people. I ended up getting in a hassle. I had to call the police and get myself arrested or get attacked, ripped off and got to jail. So I called the cops on them and myself.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
When I started to trust myself to be an actor, and to be considered that way and consider myself, that is when people started to see me in that way because that was the truth then, as opposed to me being a stunt girl going, 'Please see me as an actor, please see me as an actor!' when I didn't see myself that way.
I'm actually kinda quiet off stage, a lotta people don't realize that. I was at a dinner party recently, a bunch of people that I don't know, one guy talking plenty for everybody. "Me myself right and then I and then myself and mee, me, I couldn't tell this one about I cause I was talking about myself and Me- Meee- Mee- Me- Me!" Beware the Me monster.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
I always said when Edge and I were tag team partners that we had great chemistry together. Then we ended up parting our own ways and facing each other, and we found that chemistry again as opponents. It doesn't matter how you put Edge and myself in the ring, we're going to make sure that we give you what you pay for.
Tell me about yourself, Miss Russel." I started to give him the obligatory response, first the demurral and then the reluctant flat autobiography, but some slight air of polite inattention in his manner stopped me. Instead, I found myself grinning at him. "Why don't you tell me about myself, Mr. Holmes?
I joined Aston Villa to improve myself in the Premier League. It started well but then I got injured and Villa ended up having five managers that season.
I was born in L.A., so there's a lot of focus on getting into great shape, and, for me, I found that when I started to be more loving to myself and find ways to get excited about my exercise routine, I got into shape easier and faster, and it became a lifestyle.
I'm an anxious person in general, but something about being pregnant and awaiting the release of my first book, The Monsters Of Templeton, made me into an insane anxious person. I didn't sleep at night. I ended up sleeping all day. In a strange way I felt like the world was going to end. I found myself so deeply depressed at times that I started to read about happiness, and that took me into books about idealism and utopianism. Reading books about people who tried to build utopian societies of different kinds gave me a kind of lift.
As I walk'd by myself, I talk'd to myself, And myself replied to me; And the questions myself then put to myself, With their answers I give to thee.
I started out doing multiple characters from day one, when I got my fist job in 'Dumbo's Circus.' I'm used to getting in an argument with myself, throwing myself off a cliff, patching myself up and brushing myself off with an arm around my shoulder.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
I, myself, have tried following people around me, and I've got lost and ended up feeling emptiness rather than a sense of accomplishment. I'd like everyone to find their own role models within themselves.
Even if I do miss a shot, I found something to keep me calm and not get myself rattled. Once I missed one, I'd tense up and I'd miss the next one, too. So I found a peace within myself.
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