TV writing - for me, at least - is half original voice and half an embodiment and a representation of the spirit of the actors you're writing for.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
You have a wide array of people that are watching something, and you cannot please everyone at the same time. Half the people will love it; half the people will hate it. Half the people won't see it.
Typically, among the audience members joining the actors, the director, Ann Ciccolella and myself, about half of these theater goers have read the novel [Anthem], and half have not read it. That is interesting.
It's what the people wanted at the time, but the country could not be half-segregated and half-integrated, just as it could not be half-slave and half-free back in the 1800s.
Lips half-willing in a doorway. Lips half-singing at a window. Eyes half-dreaming in the walls. Feet half-dancing in a kitchen. Even the clocks half-yawn the hours And the farmers make half-answers.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on composers and lyricists.
No half measures. Some things can’t be cut in half. You can’t half-love someone. You can’t half-betray, or half-lie.
Working for Disney for the last eight and a half years, people come and go - production staff and actors. I stepped onto the sound stage and it was a literal time warp.
Every man needs a blind eye and a deaf ear, so when people applaud, you'll only hear half of it, and when people salute, you'll only see part of it. Believe only half the praise and half the criticism.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
No, ordinary behaviour. The efficient half eats the less efficient half and grows stronger. War is just a violent way of doing what half the people do calmly in peacetime: using the other half for food, heat, machinery and sexual pleasure. Man is the pie that bakes and eats himself, and the recipe is separation.
Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.