A Quote by Dana Ashbrook

'Twin Peaks' is the one thing in my career that I can really look back on, that I really respect and love and honor as something that's different. The one thing that I can hang onto.
In a sense, 'Twin Peaks' never really went away. They've got a 'Twin Peaks' convention up in Washington every year, and I'm pretty much recognized on a fairly regular basis from 'Twin Peaks,' so I feel like it never really got too far away.
The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
The captain thing was really an honor, and it was really flattering for me. It was really something that I didn't expect, and I would say that was the highlight of my career so far, being elected captain by my peers.
'Witches of East End' is certainly wild, and so are a lot of other shows these days. But 'Twin Peaks' still holds the gold medal for strange. I think we'll hang onto that for all of TV eternity!
I think the amazing thing about 'Twin Peaks' was that it completely changed television from that point forward. It showed everyone that you can just sit really quiet with storylines and characters. It can be scary, it can be uncomfortable, it can be weirdly funny.
The thing I like the best, especially being a parent of so many kids, Is that they're all so different. You love them all equally, but they're all so different from each other and that's the cool thing, to see their personalities start to develop and see how unique and different they all are and to be able to love them in their own unique ways. It's really, really, really special.
I often find out, once people have trained, you can never really re-train. When you get trained, you learn to lock up; you learn a wrist lock and, okay, onto the next thing, onto the next thing. You never really go back to the fundamentals.
I really loved Twin Peaks. When I saw the two-hour pilot, they screened it in the big theatre. I said, I don't know what is going to happen. I'm in this and I don't understand it. This is never going to sell. Who's going to watch this thing?
I would love to be on 'Curb Your Enthusiasm.' I'd love to be on that. A lot of my favorite shows get canceled really early on. I liked 'Twin Peaks.' If I had a time machine I'd be in that.
I wanted to represent a different decade, and I wanted someone who goes back further than me. I go back the furthest on this thing, I never really noticed that before. I'm going to have to fix that or I'm going to look really old.
One of the only TV shows that I really love is 'Twin Peaks.' Kyle McLachlan plays Agent Dale Cooper, and I love Dale Cooper, so I'm in love with Kyle McLachlan. He could be my dad, so it's really weird.
I had a Chicago Street Fight a couple of years back in Ring of Honor that was really bloody and really violent. That is probably the closest thing to the Extreme Elimination Chamber I can think of.
Something Dylan and I really don't care much for is leaning into the identical twin thing. It doesn't make sense.
I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'
There's a part of 'Twin Peaks' that is sort of a hinged doorway to another, stranger place, if you can imagine such a thing.
I think the amazing thing about 'Twin Peaks' was that it completely changed television from that point forward.
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