A Quote by Dana Carvey

Now we're here in 2009. My boys are 16 and 18, one's going to USC film school, and the other seems to be a natural comedian. So now I have to go back into show business as a senior comedian. So I hope to get Walter Brennan-type roles, Gabby Hayes kind of stuff, be the old-timer. We'll see what happens.
I didn't set out to make this kind of picture. It just came my way. But its been going on for me for 16 years now and its wonderful for an actor to work consistently. There seems to be an insatiable audience for this type of film.
I see myself as a comedian rather than a female comedian. I happen to be a woman, but I am a comedian by trade.
It used to be if you wanted to be a comedian, you used to just do sets. You'd go up three times a night, just get better, and then some people would see you and you'd do 'The Tonight Show,' and then boom, you're a comedian.
When you do stuff as a comedian, Hollywood sees you as a comedian and so most of the calls I get are for a funny movie or something like that.
I told them I wanted to be a comedian, and they laughed; I became a comedian, no one's laughing now
Now a 'funnyman' can get a laugh before opening his mouth - looking funny. Lou Costello was one of your great funnymen. Harry Langdon, Larry Semon; they were all funnymen - they looked funny. W.C. Fields was never a comedian. Slim Summerville was a comedian, yet looked funny. Now if you have both attributes, you are in good shape.
If you go down as a comedian's comedian, that's basically meaning other comedians are hopefully feeling that you're doing okay.
As a comedian you have to remind yourself that it happens; every now and again you can just have a bad gig where things go beyond your control.
Whatever happens in life can happen on the stage, but as a comedian you should always be clear what your target is. It's fine to be gratuitously tasteless if that's what you are intending to do. It's that old line: I don't defend what a comedian might say but I defend to the death his right to say it.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
There are so few jobs for comedians on networks, that taxi TV and elevator TV and all this stuff are what I and every other comedian now are gunning for.
I don't think a comedian should even be concerned with being cool or sexy, as soon as you do, you aren't a comedian any more. Looks are still the most important thing for women when it comes to meeting a partner. And that's fair enough, but a sense of humour is really important too. For starters, it's a great indicator of whether you are going to get on. If the first time you go on a date you don't find each other funny, there's a fundamental problem.
A comedian's a comedian. They're a very kind of cynical bunch. I guess that's why I like them.
I'm very much a stand-up comedian in my heart. That's really what I do. Now I'm trying to incorporate all of the different elements of my work as a performer, and use it as a stand-up comedian.
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