A Quote by Dana Carvey

That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50. — © Dana Carvey
That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
I was kicked out of middle school a few times. This guy who was kind of a d*** and a bully got hit by a car. I jumped up and went, YEAH Apparently that wasnt cool with some people cause I got kicked out.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'
I had run away from home three times. I had been kicked out of three different schools under different circumstances. I was kicked out of everything that I didn't quit. Kicked out of schools. Kicked out of summer camp, the Boy Scouts, the altar boys, the choir, and something else that I can't think of, that I'm proud of. Anyway, that was my pattern. I just began to invent myself early in life, and went out and did something about it.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
I went to a record store and asked for 50 cent. They kicked me out for pan-handling.
For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.
Where previously the international underworld was a world of local, often-warring mafia territories, it has become globalised. The criminal has become corporate, and the corporate has become criminal. Organised crime has become very organised indeed.
You make a movie to entertain audiences. That's why you make a movie. The product sales is because people love the characters, and to me, that is a testament to how our movie has become so ingrained in family's homes all around the world and that's why I make movies.
You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.
The harder the circumstances under which you're making a movie, generally the better the friends you make. You're far away from home and so you're kind of lonely, and you end up all gravitating towards each other and the bar every night. It tends to be inversely proportionate to the comfort level on the movie, how close you become to everybody.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
I'm a comedian because I want people to like me. That's really why all comedians are comedians.
There are a lot of comedians that were bullied and picked on, and that's why they became comedians. Survival of the fittest.
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