A Quote by Dana Carvey
I always tend to think of all of my shows as possibly my last show. I'm like a junior Springsteen, without the underbite.
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I'm always drawn to the thing I think I can't possibly do, because I tend to be better when I think I can't possibly do something than I am when I'm pretty sure I can do something.
It's not like we have a formula, but I think one of the reasons this show has survived is that it has a big heart at its center. Other cartoon shows have people crap on each other and make racist jokes. But I don't think people tune in for that. I just don't think a show lasts for 10 years without a heart.
I used to go to the Hollywood YMCA when I first came here, and I was standing in front of the mirror doing curls, and I noticed this guy next to me also doing curls. He was grimacing a lot, and I noticed he had an underbite. I looked more closely and realized it was Bruce Springsteen.
Every record we do there are always two camps. There's the camp that's like, "I love it. It sounds different than the last one." There are the people that are like, "I want it to sound like the last one." You can't please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
I come from way north. We'd listen to radio shows all the time. I think I was the last generation, or pretty close to the last one, that grew up without TV.
My favourite writers are always great storytellers, like Bruce Springsteen; I adore Bruce Springsteen. I feel like he doesn't beat around the bush, and he doesn't overcomplicate things. He puts things into layman's terms and tells stories that anyone can understand.
The ways in which acquired savants show up are usually the same ways that congenital, or non-acquired, savant syndrome shows up. They tend to show up in the same areas: music, art, math, visual, spatial skills, and calendar calculating, although calendar calculating probably isn't quite as prominent in that group. They tend to show up quite quickly, or sort of explode on the scene and they then tend to have an obsessive sort of forceful quality about them in the same way as savant skills. So they tend to show up in the same ways.
You'd think after 100 shows you'd be used to this, but it's not true for me. It always feels like the first show.
Answer e-mails from junior people before more senior ones. Junior people have further to go and tend to remember who slighted them.
TV has taken a crazy turn, especially in the industry of food, where everything is either a competition show or a sort of reality show. We've lost the kind of shows that are, like, 'Here's how you do this,' like the old Julia Child shows.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
Doing shows is always a side of skating that I've loved, it's the performing. I get to do that without the pressure, it's always fun between the skaters and the preparation, the show is always so much fun.
The regard one shows economy, is like that we show an old aunt who is to leave us something at last.
I admired shows like 'Six Feet Under.' That was an amazing show. Never boring, always inventive, smart. Loved the characters. Completely original. Those are shows that I admire.
When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
I think doing shows with other R&B artists like myself brings the attention to the crowd. You can't just do those one artist shows anymore. I don't like just me being on the show.
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