A Quote by Dana Carvey

Describing comic sensibility is near impossible. It's sort of an abstract silliness, that sometimes the joke isn't the star. — © Dana Carvey
Describing comic sensibility is near impossible. It's sort of an abstract silliness, that sometimes the joke isn't the star.
I guess I have no motivation to make an abstract painting, even if they sometimes read as abstract. I think, with abstraction, it's easy to fall into a sort of pastiche.
It's absolutely impossible to have a serious critical discussion about enthusiasms for movie stars. Because a movie star is an animal separate from acting. Sometimes, he or she is a great actor. Sometimes a third-rate one. But the star is something that you fall in love with.
Has there ever been an age so rife with neurotic sensibility, with that state of near shudders, or near hysteria, or near nausea, much of it induced by trifles, which used to belong to people who were at once ill-adjusted and over-civilized?
Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.
The baby boomers' politics have covered a wide band of silliness, from the Weather Underground to the Timothy McVeigh types. The great majority of us are well in the middle of that spectrum, but still, there's been both leftie silliness and right-wing silliness.
I listen to my political rivals sometimes with fear and trembling, sometimes with awe, sometimes with near panic, but always with a curiosity of nuances, curiosity for the language, curiosity for the story behind the 'impossible' position.
Good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract.
New York is all about sort of a corporate sensibility, and it is squeezed out room for any other kind of sensibility, money talks, bullshit walks, I guess.
I have trouble describing my own style, since it's sort of like describing my own eye color or something.
A way of describing performances that I admire is that there is an absence of careerism. It's a clumsy way of describing it but it sort of does it for me.
Science sometimes improves hypotheses and sometimes disproves them. But proof would be another matter and perhaps never occurs except in the realms of totally abstract tautology. We can sometimes say that if such and such abstract suppositions or postulates are given, then such and such abstract suppositions or postulates are given, then such and such must follow absolutely. But the truth about what can be perceived or arrived at by induction from perception is something else again.
It is sometimes forgotten how much wit there is in certain works of abstract art. There is a certain point in undergoing anguish when one encounters the comic.
Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.
A comic strip has a rhythm and a pattern, and you got to get in and out quick. So you set up a joke, tell the joke, and done.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
Comic-Con is interesting because there's so much going on at once, it's literally impossible to do everything. You need clones and some sort of hoverboard so you can surf over the crowd of packed-in nerds.
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