A Quote by Dana Carvey

I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience. — © Dana Carvey
I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.
My dad died right after performing at the Friars' roast for Lucille Ball and Desi Arnaz. I have that tape somewhere. There's still a lot of good jokes in there. I mean, that was 1958.
A Hoyo de Monterrey double corona is my favourite Cuban since Desi Arnaz.
There were people that grabbed you just by talking, and that's what I loved about professional wrestling when I started out. That's why I'm already so good. That's why people literally hang on the edge of their seats when I have a mic because they want to know what I'm going to say.
I did a pilot for Judd Apatow when I was 20 years old, so 18 years ago. The same year that he did that pilot, he made another pilot called Freaks And Geeks.Judd felt bad for me because I was living in L.A. by myself. Not only did he put me in an episode of Freaks And Geeks, but he was like, "Hey, just come hang out. I'm on set, getting to know everybody." I started hanging with everybody, and they were all either my age or a little younger. Seth and I just got along really well - Jason Segel and I, too - and before you know it, it was a really strong, solid group of friends.
I had started calling her Lucy shortly after we met; I didn't like the name Lucille. That's how our television show was called I Love Lucy, not Lucille.
About once every six months someone notifies me that Lucy and Desi Arnaz are separating.
During World War II, the pilot losses were staggering. In some bombing raids, as many as 80% of the planes that left did not return.
Jimmy Stewart and Lucille Ball were so unique.
It's fun to get a message on the phone service that Lucille Ball or Burt Reynolds called, and play it very blase by asking, 'Anyone else?'
When we first started making videos, we didn't have a boom mic, so we had to talk really loud. And then we got a boom mic and were like, 'Wow, we're shouting,' and had to learn to bring it back.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
I love Lucille Ball. But you don't call that Shakespeare. It's just entertainment, you know. And if you like that, then go have a ball, have fun.
TV started for me just as a means of keeping my husband Desi off the road. He'd been on tour with his band since he got out of the Army, and we were in our 11th year of marriage and wanted to have children.
There were moments where Supergirl gets a thrashing in the pilot, where if a man in the 'Flash' or 'Arrow' pilot got beat up, people didn't visibly wince. And I watched in testing, people in the audience really became uncomfortable by the fisticuffs and the action. But then, they were elated and cheering at the end.
There was a line call that didn't look so great. I went ballistic. Called the umpire a jerk. Whacked a ball into the stands. Then smacked a soda can with my racket, and got soda all over the King of Sweden, who was sitting in the front row.
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