A Quote by Dana Carvey

In maybe 1963, we had 'Collier's Encyclopedia,' and they sent us their yearly LP. I heard the Beatles talking on there. That was the first time I tried altering my voice, doing a Liverpudlian accent.
Sexual intercourse began in 1963 ... / Between the end of the Chatterley ban/ and the Beatles first LP
After The Beatles came on the scene everyone started putting on a Liverpudlian accent.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.
When I first went to acting school, they made me lose my accent, which is very upsetting for me. The first day of Shakespeare class, I remember the professor was like, 'Oh, boy. Oh no, no, no, no. No, no, no,' and sent me to a voice and speech class to get rid of the accent immediately.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
Even if you're not a fan of the Beatles you just know their songs by default. I had probably got bored of the Beatles by the time I was like 15 because I thought I had heard enough.
I do know Joe Lansdale has the most extraordinary voice you've ever heard in your life in terms of an accent that, when I started doing it, they had to go, 'Whoa, we need less.' But that's how he talks.
The Beatles had a six-year career, from 1963 to 1969, which - to me, in my early 20s - seemed like a phenomenally long time.
The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.'
Early on, people told me I was making Chinese people look bad. I've been living with this accent. I had already been doing standup for a while. I knew my voice already. I myself never wanted to make my accent the butt of the joke. I never want it to be, 'I'm laughing at your accent.'
The first animation thing I did was the first Transformers, the one that was animated many years ago. And I had heard that Orson Welles was doing a voice on it.
I have a strong accent; it limits the roles, of course it does. I guess if I had moved to America a long time ago maybe my accent would have got less.
When I heard the Pogues, I connected with the songs immediately, but it was also the first time I didn't reject out of hand the kind of music that my parents had always tried to push on to us when we were growing up.
Thus when a barber and a collier fight, The barber beats the luckless collier-white; The dusty collier heaves his ponderous sack, And big with vengeance beats the barber-black. In comes the brick-dust man, with grime o'erspread, And beats the collier and the barber-red: Black, red, and white in various clouds are tost, And in the dust they raise the combatants are lost.
The first time I heard The Beatles, I cried. It was 'Let it Be'.
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