A Quote by Dana Gioia
The music that of common speech but slanted so that each detail sounds unexpected as a sharp inserted in a simple scale.
Related Quotes
My music must be an artistic reproduction of human speech in all its finest shades. That is, the sounds of human speech, as the external manifestations of thought and feeling must, without exaggeration or violence, become true, accurate music.
The wonders of the music of the future will be of a higher & wider scale and will introduce many sounds that the human ear is now incapable of hearing. Among these new sounds will be the glorious music of angelic chorales. As men hear these they will cease to consider Angels as figments of their imagination.
That sound in tune to you?.. Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.
Do not underestimate the human being, who sometimes appears so simple. Even with sight as sharp as an eagle, a mind as sharp as a razor, senses more powerful than gods, hearing that can catch the music and the lamentations of life, your knowledge of humanity will never be total.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
If anything is scary about my writing, it's that it's the product of a very particular vision and doesn't reference common speech that heavily. By 'common speech,' I don't mean language as much as an agreed-on way of seeing, or a shorthand.
That music in itself, whose sounds are song, The poetry of speech.
All language begins with speech, and the speech of common men at that, but when it develops to the point of becoming a literary medium it only looks like speech.
The work I've done through my Common Culture Music series has enabled me not only to share my joy of music at scale but also promote the artists I love.
My music is simple stuff. Anybody can sit down, look at a set of symbols and produce sounds the music represents.
I started asking friends, my white friends around, I said, "What's something that you think all Asians have in common?" They almost always immediately said, "Slanted eyes." I thought that's really interesting. No. 1, it simply isn't true. Not all Asian Americans have slanted eyes, and of course, Asians aren't the only ethnic identities to have them. No. 2, we could talk about our slant on life and what it's like to be people of color, while at the same time, using this outdated and obscure racial slur, and turning it on its head.
The task is to investigate speech sounds in relation to the meanings with which they are invested, i.e., sounds viewed as signifiers, and above all to throw light on the structure of the relation between sounds and meaning.
For me, it's really like, okay, if you go far with the unexpected materials and unexpected proportions or volumes, then keep the colors quite simple and straightforward for men.
When music sounds, gone is the earth I know, And all her lovelier things even lovelier grow; Her flowers in vision flame, her forest trees Lift burdened branches, stilled with ecstasies. When music sounds, out of the water rise Naiads whose beauty dims my waking eyes, Rapt in strange dream burns each enchanted face, With solemn echoing stirs their dwelling-place. When music sounds, all that I was I am Ere to this haunt of brooding dust I came; And from Time's woods break into distant song The swift-winged hours, as I hasten along.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.
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