A Quote by Dana Gioia
Old empires always appeal to modern poets more than new ones.
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Most poetry is very formal, but when a modern poet is formal he gets more attention for it than old poets did.
In Homer and Chaucer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they still have moments of unbaptized and uncommitted life, which give them an appetite for more.
I tend to like the way poets form communities. Writing can be lonely after all. Modern life can be lonely. Poets do seem to be more social than fiction writers. This could be because of poetry's roots in the oral tradition - poetry is read aloud and even performed. I'm just speculating, of course. At any rate, because poets form these groups, they learn from one another. That is one of the best things about being a poet.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
I don’t like to badmouth people. But I’m the head of a monarchy that began in the ninth century, and I’m apparently more modern than Chris Christie. Look, I know he has to appeal to the crazy right-wingers in his party, but the fact is, he’s not as forward-thinking as an eighty-seven-year-old lady who wears a crown on her head. It’s pathetic.
New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly.
The modern sensibility attempts to drain the contents of experience; these Greek poets strive to state the fact so poignantly that it becomes an ever-flowing spring as Sappho says, "More real than real, more gold than gold.
The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities ... We pay for a single fighter with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people.
The Turkish, Arab and Chinese nationalists who built new nation-states out of the ruins of old empires scorned their old, decrepit rulers as much as they did the foreign imperialists who imposed free trade through gunboats.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
Empires are doomed. They become more diffuse, more broke, demagogues rule, and so I was just pointing out some similarities between past empires and what's going on right now. They all have had to apply more and more harsh rhetoric of superiority and divine right to justify the building of hegemony.
In general, I would think that at present prose writers are much in advance of the poets. In the old days, I read more poetry than prose, but now it is in prose where you find things being put together well, where there is great ambition, and equal talent. Poets have gotten so careless, it is a disgrace. You can’t pick up a page. All the words slide off.
It is a fiction to imagine that the haphazard paper chits of old are more private than the modern digital alternative. Paper records have always presented a security risk.
Jewish and Palestinian nationalism are virtually contemporaneous, and grew out of the disruptions that created new national movements from the ruins of the old empires / i.
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