A Quote by Dana Gioia
And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.
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Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.
I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods are azure indigo cerulean cobalt periwinkle and suddenly the blue will not seem so dark, more like the color of a noon-bright sky. He brings the sun.
The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.
The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.
How wonderful is Cold Mountain Climbers are all afraid The moon shines on clear water twinkle twinkle Wind rustles the tall grass Plum trees flower in the snow Bare twisted trees have clouds for foliage A touch of rain brings it all alive Unless you see clearly do not approach
Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky.
Without a wish, without a will, I stood upon that silent hill And stared into the sky until My eyes were blind with stars and still I stared into the sky.
Water, whether still or in motion, has so great an attraction for the lover of nature, that the most beautiful landscape seems scarcely complete without it. There are no effects so fascinating as those produced by the reflexions in nature's living mirror, with their delicacy of form, ever fleeting and changing, and their subtle combinations of colour.
This is what I have heard at last the wind in December lashing the old trees with rain unseen rain racing along the tiles under the moon wind rising and falling wind with many clouds trees in the night wind.
Water reflects everything it encounters. This is so commonplace that we think water is blue, when in fact it has no color.... But the water, the glorious water everywhere, has taught me that we are more than what we reflect or love. This is the work of compassion: to embrace everything clearly without imposing who we are and without losing who we are.
Just a little rain falling all around The grass lifts its head to the heavenly sound Just a little rain, just a little rain What have they done to the rain? Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone and the boy disappears And the rain keeps falling like helpless tears And what have they done to the rain? Just a little breeze out of the sky The leaves nod their heads as the breeze blows by Just a little breeze with some smoke in its eye And what have they done to the rain?
It was Indian summer, a bluebird sort of day as we call it in the north, warm and sunny, without a breath of wind; the water was sky-blue, the shores a bank of solid gold.
Maybe nothingness is to be without your presence, without you moving, slicing the noon like a blue flower, without you walking later through the fog and the cobbles, without the light you carry in your hand, golden, which maybe others will not see, which maybe no one knew was growing like the red beginnings of a rose. In short, without your presence: without your coming suddenly, incitingly, to know my life, gust of a rosebush, wheat of wind: since then I am because you are, since then you are, I am, we are, and through love I will be, you will be, we will be.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
Sit all together in meditation. Become peacefully calm and quiet, without motion, without stillness, without birth, without destruction, without coming or going, with no judgments of right or wrong, neither staying nor going. This, then, is the Great Way.
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