A Quote by Dana Goodyear

Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
When I first moved to Hollywood from Silicon Valley, I had some misgivings. But I found that there were some advantages to being in Hollywood. And, in fact, some advantages to owning your own media company. And I also found that Hollywood and Silicon Valley have a lot more in common than I would have dreamed.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I'm always fascinated by people from the Midwest, because it is so different than Hollywood, who discover at some point that they want to be in Hollywood.
I live in the area where the Hollywood sign is. Every afternoon, I'll take a daily walk, and there are loads of tourists always on the street taking photos of the Hollywood sign. Occasionally, I'll still get recognized as 'Gunther,' which is okay with me.
Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.
Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.
Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood -- and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue you could get better somewhere else.
When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.
People are always saying that Hollywood messes up kids. I'm like, 'No, families mess up kids!' I grew up in Hollywood, and I'm perfectly fine. If my children want to go into the entertainment business, I won't stop them, as long as they're passionate about it.
Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.
These issues of gender equity and diversity have been ongoing conversations throughout the decades. I remember even when I was just starting in the business in the 1980s. It's not just Hollywood's problem. This is systemic. It's in our country, so what happens in Hollywood is that everything's just magnified because it's out there in the public.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
The most remarkable thing about Hollywood is that it does not exist. ... Hollywood, in a word, has no center, never had one, no city hall, court house, church, square, or rather it probably has some of those but they're so aimlessly thrown in with the general jumble ... that I, for one, never found them.
Well, there's different shades of Hollywood, sure. I mean, I'm working in this business but I'm not Hollywood.
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