A Quote by Dana Gould
Whenever someone starts a statement with, Let me tell you the kind of guy I am, that is a great time to start sawing your own head off.
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It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?
I don't think you can shock an audience anymore. Me cutting my head off is a great illusion, but when you turn on CNN and there's a guy really getting his head cut off, it does dilute what I did.
And so I am feeling numb. It's a curious feeling, and I get it all the time. My attention to the world around me disappears, and something starts to hum inside my head. Far off, voices try to bump up against me, but I repel them. My ears fill up with water and I focus on the humming in my head.
You can tell when someone is just trying to use you. It becomes just someone who's hanging around. Whenever someone sucks up to me, it never goes anywhere because I'm too boring a guy.
Once you start carrying your own suitcase, paying your own bills, running your own show, you've done something to yourself that makes you one of those women men like to call 'a pal' and 'a good sport,' the kind of woman they tell their troubles to. But you've cut yourself off from the orchids and the diamond bracelets, except those you buy yourself.
I do believe people ought to be left alone. I don't care who you are or what you do at home or who your friends are or where you hang out, what kind of music you listen to, what you do in your home is your own business. That's always been who I am. I am a leave me alone kind of guy.
I can only tell you there's a lot of bad things going on. They're chopping off heads in Syria, and they're chopping off heads all over the Middle East.ISIS is doing a number, and plenty of other beyond ISIS is doing it now. And all I know is that, when they start chopping off heads, we have to be very firm, we have to be very strong, we have to be very vigilant. And I heard a statement, and I disagree with his statement.
It's a real stumper to sit around and try to think in your own head, but when you go into somebody else's head that takes the foot off the breaks. You can think in someone else's head.
When restaurants start to mature - and usually the five-year time is the time when the restaurant starts to settle in and have its own personality - your job is to grow it.
Usually, my rhymes are just in my head. I start off with a theme, and once I start rapping and writing and singing, the chorus and all that, it just starts flowing. Then it's done in about an hour! I write a lot of songs.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
I would actually say to all the parents to tell their children to start respecting people. And, automatically when you start respecting people, it will give rise to give and take. Respect starts in your own house.
Let me tell you about customs, James," said Lillian. "I am not accustomed to being summoned to someone else's home. You're very fortunate that I came." "I am indeed blessed," Dad told her. "I am also, by the way, called Jon." Lillian looked faintly surprised. "Are you?" "Really?" Dad asked. "Really? I was the only Asian guy who went to our school. I kind of stood out. While you are an identical twin, and I still managed to know your name.
There are times when we in Little Dragon write from scratch together, but everyone has their own lives, so it just seems to make sense when everyone starts an idea on their own and we sort of meet somewhere along the way. I'm at the studio all the time because I live there, but the guys will have different schedules. It's easier to start an idea with your own thoughts, rather than having to compromise from the start.
'D' is about a guy who starts off somewhere, and he's a very thinking kind of a guy. He's not an emotional person; he doesn't react to situations. Instead, he's virtually choreographing the situations. So it's a development of a character.
As an actor, you are always waiting for someone else to be able to tell you when it's okay to work, and as a writer, you can just pick up your computer and start whenever you want. That is really freeing.
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